Best selling author Elena Ferrante will be a new weekend columnist for the Guardian magazine. Why did she decide to go this route in addition to writing a screenplay? Read her reasoning and pair with this essay on reading Italy through Ferrante’s work.
Experience “THE POWER OF BOOKS“You know those annoying puzzles where you type in the letters so the computer knows you’re not a computer creating a fake account or sending spam? A group from Carnegie Mellon is using these “Captchas” to help digitize books. ReCaptcha is a special type of Captcha that displays words that book digitization software is having trouble deciphering. So, by letting the computer know you’re not a computer, you can help some other computers digitize our books.I missed Junot Diaz’s appearance at the Free Library of Philadelphia where he read from his new novel The Brief Wondrous Life of Oscar Wao, but Season Evans was there.
Penny Perkins interviews Sons and Daughters of Ease and Plenty author Ramona Ausubel at The Rumpus. “I realized that this book I was writing about money had to be about race and it had to be about class and it had to be about privilege, and which of those things we are able to see and which we are blind to.” Pair with Ausubel’s writing at The Millions.
As Alden Jones puts it, a “sex-death-art trifecta” is the core of The Small Backs of Children, the new book by Lidia Yuknavitch. At The Rumpus, he talks with the author about the novel, which centers on a war photographer who takes an iconic photo in Eastern Europe. You could also read the author’s Millions essay from last week.
When a novel is printed in multiple countries, it often has more than one editor. Slate interviews Emma Donoghue; her American editor, Judy Clain; and her Canadian editor, Iris Tupholme, about how they all edited Frog Music. They discuss everything from how to deal with editing disputes to the best way to get edits. “I much prefer to get everyone’s opinions separately, because if I got a single editorial letter, it would be like getting a note from God!” Donoghue says. For more on the editing process, read about our own Edan Lepucki’s relationships with her copy editor and editor.