“The idea came to Mr. Mallory one night as he sat on his couch watching an old favorite, Hitchcock’s Rear Window. Out of the corner of his eye, he noticed a lamp switch on in the apartment across the street.” Published under a pseudonym, former executive editor Daniel Mallory‘s debut novel The Woman in the Window was acquired and published by his own imprint. Pair with: an essay about the emergence of “reimagined thrillers” that create characters out of setting.
“If only we could talk! Like the evening before last, I had actually just stayed the night at the house where I’d been drinking, purely and simply because they didn’t want me to drive back drunk. But I couldn’t tell you that, because telling you would have suggested that you minded; and that’s the kind of minding we never talk of. We only either kid each other about it, or get angry.” The love letters of Christopher Isherwood and Don Bachardy (one of the first openly gay relationships in Hollywood) are delicate and beautiful.
Lots of anticipated books hitting shelves today. At the top of the list is Michael Lewis’s look at the recent financial calamity, The Big Short. Also new today, Chang Rae Lee’s The Surrendered, Ron Rash’s story collection Burning Bright, Lionel Shriver’s So Much for That, and James Hynes’ Next, about which we have noted some intriguing Twitter buzz. New in paperback are Victor LaValle’s The Big Machine and Dave Eggers’ The Wild Things.
Here’s to wishing you a spooky Halloween with this piece by Micah Nathan of The Paris Review. Nathan hearkens back to his boyhood–a much simpler time of casual demon-summoning, Satanism, and the occult. This essay by our own Anne K. Yoder will satisfy any lingering desire for the four Humors.