“The idea came to Mr. Mallory one night as he sat on his couch watching an old favorite, Hitchcock’s Rear Window. Out of the corner of his eye, he noticed a lamp switch on in the apartment across the street.” Published under a pseudonym, former executive editor Daniel Mallory‘s debut novel The Woman in the Window was acquired and published by his own imprint. Pair with: an essay about the emergence of “reimagined thrillers” that create characters out of setting.
You may have heard (via this site or elsewhere) that Harold Bloom has a new book out. In the Times Sunday Book Review, Cynthia Ozick gives her take, identifying the critic’s use of the phrase “without precedent” as key to understanding his theory. You could also read Matt Hanson on Bloom’s classic The Anatomy of Influence.
“His life’s work, and his stunning prose, teaches us to better understand political influence, American democracy, and the true power of biography.” The National Book Foundation just announced Robert Caro as this year’s recipient of the National Book Awards lifetime achievement medal. Definitely pair with this piece by our own Michael Bourne on Caro’s epic literary ambitions.
A Visit from the Goon Squad by Jennifer Egan drops today. Our review. Also out recently are Walks With Men, a novella by Ann Beattie, and The Particular Sadness of Lemon Cake, a novel from Aimee Bender. This week also sees the long-awaited posthumous publication of Henry Roth’s An American Type. Another recent posthumous publication: Robert Walser’s mysterious Microscripts.