“The idea came to Mr. Mallory one night as he sat on his couch watching an old favorite, Hitchcock’s Rear Window. Out of the corner of his eye, he noticed a lamp switch on in the apartment across the street.” Published under a pseudonym, former executive editor Daniel Mallory‘s debut novel The Woman in the Window was acquired and published by his own imprint. Pair with: an essay about the emergence of “reimagined thrillers” that create characters out of setting.
You may have read some of our pieces on graphic novels and comics. The form is increasingly seen as an indispensable genre of literature. At Slate, a team of judges select the nominees for their third annual Cartoonist Studio Prize, including Here by Richard McGuire and Can’t We Talk About Something More Pleasant? by Roz Chast.
The story of how a publishing house began is the definition of literary inside baseball, but this piece by Jonathan Galassi — in which the FSG president responds to an upcoming book on the heyday of his company — does a pretty nice job of spurring a general reader’s interest. Among other things, it reveals that First Wife Dorothea Straus once called the company’s office “a sexual sewer.”
A newly released Roald Dahl collection, The Missing Golden Ticket and Other Splendiferous Secrets, includes a secret ending to Charlie and the Chocolate Factory and excerpts from the author’s hilariously bad report cards. Wrote one teacher about Dahl in 1931: “A persistent muddler. Vocabulary negligible, sentences malconstructed. He reminds me of a camel.” (via Galley Cat)
“Our culture has focused so much attention on the most visible members of the Black Panthers that it has been easy to forget it was a nationwide organization — an entity that needed to attract ordinary people who believed in something and were also willing to work for it.” In the Times, Rembert Browne reviews two new books about the Black Power movement.
Whitney Houston, Adele, Kanye West, Prince, and Justin Bieber all share something in common when it comes to the songs they sing. Each one of them rhymes “do” and “you” more often than any other pair of words. In fact, according to Ben Blatt, that duo is the most commonly rhymed pair in the history of pop music.
Any writer who has felt the sting of rejection—that is, all writers—will be inspired by the story of Dick Wimmer, who has died at the age of 74. Over the course of 25 years, a total of 162 agents and publishers rejected Wimmer’s first novel, Irish Wine, before it was finally published by Mercury House in 1989. The New York Times called it a “taut, finely written, exhaustingly exuberant first novel.” The L.A. Times invoked James Joyce in its review. Wimmer, the iron man of the rejection wars, went on to publish two sequels, Boyne’s Lassie and Hagar’s Dream (All three books are now available in a single volume from Soft Skull.) The moral of Wimmer’s story? Never give up.