Crime novelist Sue Grafton passed away earlier this week from cancer. Lit Hub and Vulture both have touching tributes to her and her detective series starring Kinsey Millhone. “Grafton belonged to a cluster of female authors who viewed the private-detective subgenre, previously dominated by Dashiell Hammett, Raymond Chandler, and Grafton’s own hero, Ross Macdonald, in desperate need of subverting” and “The annual release of her latest Kinsey Millhone novel was, for generations of devotees, one of the year’s premier literary events. ” Rest in peace Ms. Grafton.
“Whenever I tried to invent a character or a situation, I felt a stab of guilt. I could hear my teacher’s quavering voice saying, Write what you know! Why had she insisted on this so vociferously?” Writing class mantras are easy to impart but they are also easily misinterpreted. A.X. Ahmad, author of The Last Taxi Ride and The Caretaker, learns this truth the hard way as he tries to become a writer following a personal upheaval. Pair with Ahmad’s Millions essay on “The Thriller, Reinvented.”
“Desire is transformative, and transgressive: whether it’s an unpeeled onion or a noble lover, to want something, especially for women, can never be entirely benign.” Kristiana Willsey writes about folktales, fairy godmothers, childless queens and hunger in a piece for The Toast.