The Washington Post interviews four Young Adult authors whose books go beyond coming out stories, these authors want queer love stories to be mainstream. Their books range from contemporary to historical to fantasy. “As authors get more comfortable exploring LGBT storylines, the coming-out tale isn’t disappearing. ‘I think we’ll always need for the foreseeable future both types of stories,” Silvera added. “While I’ve been so happy being able to live an out life, I think a lot about teens who aren’t able to be out right now and I want to write for them.’ Slipping back in time to write for teenagers gives authors the opportunity to explore first love again.” Take a look and consider adding these to your reading list.
Slate corrects an oversight to Sarah Palin’s otherwise impeccably edited memoir: no index. Theirs runs from “Alaska, autumn bouquet of” (page 1) to “‘you betcha’ – revelation of as not actually Alaska’s state motto” (page 309), and includes such helpful detours as “exclamation point, usage of” (pages 4, 26, 120, 121, 122, 138, 150…) You almost – almost – don’t have to read the book.
Jonathan Franzen’s Kraus Project should be “a match made in heaven,” writes Jacob Mikanowski, because of how it pairs together “the old hater [Karl Kraus] and the new [Franzen], the Butch Cassidy and Sundance Kid of cultural criticism drawn together across the gulf of a century to take on all comers.” Alas, the end result is instead a “strange and rather discordant experience, like receiving a deep tissue massage while being spat on from a great height.” (Bonus: One of the best London Review of Books openers of all time.)
Amidst all the sad tales of great bookstores going under, the Strand remains a fixture of the New York lit scene. At Vulture, Chris Bonanos explores the many reasons why the Strand is still afloat, among them the store’s increasing sales of new books. You could also read our own Janet Potter on her lifelong infatuation with bookstores.
It turns out even a museum exhibit of Shakespeare’s works can make for a dramatic experience. At The Daily Beast, Helen Anders demonstrates that there’s a little bit for everybody at the “Shakespeare in Print and Performance” exhibition at the University of Texas. We’ve brought you a bit on the Bard before.
After the death of Harold Ramis, it seems only fitting to read Esquire’s oral history of Ghostbusters. Dan Aykroyd initially wanted it to be an intergalactic drama, yet he and others were happy with how it turned out. “People in the paranormal field loved it. It gave focus to their work,” Aykroyd said.