The Washington Post interviews four Young Adult authors whose books go beyond coming out stories, these authors want queer love stories to be mainstream. Their books range from contemporary to historical to fantasy. “As authors get more comfortable exploring LGBT storylines, the coming-out tale isn’t disappearing. ‘I think we’ll always need for the foreseeable future both types of stories,” Silvera added. “While I’ve been so happy being able to live an out life, I think a lot about teens who aren’t able to be out right now and I want to write for them.’ Slipping back in time to write for teenagers gives authors the opportunity to explore first love again.” Take a look and consider adding these to your reading list.
More and More Queer YA Love Stories
Sometimes It’s Obvious
Why They’re Single is a “tribute site to excellence and failure in online dating.” And what better date for it to go live than on Valentine’s Day? (Related: OK Stupid: The Horrors of OK Cupid.com)
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No, I only work there for the paycheck!
Jessica Francis Kane’s mother worked for Playboy back in the 1960s, a time “when it was an intellectual magazine as well as a pinup, when people really did subscribe to it for the articles.” Over at The Morning News, Kane shares a fascinating interview with her mother, and they talk about what it was “like to be a woman … in such a sexy workplace at such a weird time.”
Camus’ Web
Have you ever wondered what Charlotte’s Web would be like if Albert Camus joined the farm creatures? Well, someone wrote it for you at McSweeney’s. Pair with our review of Camus’ American Journals.
Goosebumps Turns Twenty
Two decades after the release of the first Goosebumps book, Jen Doll checks in with R. L. Stine.
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Across the Screen
“His books are not only obviously produced by an obsessive film buff (as evidenced by one wry recurring trick, the dates in brackets that follow even citations of celluloid ephemera), they often seem to want to be movies, as shown by another signature device, the way his protagonists – from the 1890s European spies and 1950s New Yorkers in the interwoven narratives of his debut, V. in 1963, all the way to Inherent Vice and Bleeding Edge in 2013 – break anti-naturalistically into song like characters in musicals.” An argument that Thomas Pynchon writes fiction tailor-made for the cinema.
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Scribbles in August
From 1916 to 1925, the University of Mississippi paid William Faulkner for drawings he published in the school newspaper, Ole Miss. At Open Culture, you can see some of these drawings, which struck this writer as peculiarly un-Faulknerian. (Related: our own Nick Moran found recordings of Faulkner on the University of Virginia website.) (h/t The Paris Review)
“Dying is totally mainstream.”
Millions staffer Mark O’Connell immersed himself in the “transhumanist” movement for more than a year, checking in on such characters as Zoltan Istvan, the quixotic U.S. presidential candidate perhaps best-known for driving a coffin across the country. O’Connell’s book, To Be a Machine, which details dreamers like Istvan envisioning human existence liberated from the outmoded confines of the human body, publishes this month.
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