“This is a story about a woman who was erased from her job as the editor of the most famous literary magazine in America.” For Longreads, A.N. Devers writes about Brigid Hughes, the second editor of The Paris Review, who has been all but scrubbed from the magazine’s history. See also: Dever’s 2011 Year in Reading entry.
Try to define the word “poetry” and you’ll quickly find yourself in a maze of contradictions. It refers, most obviously, to printed verse, but it can also refer to especially lyrical prose, among other things. At The Paris Review Daily, Damian Searls uses etymology to get some answers. Related: Kate Angus on loving poetry but not poetry books.
Medievalist Elaine Treharne teaches a course on Beowulf at Stanford, and one of her primary theoretical questions for her students is, “What is (the) Text? … What constitutes Beowulf?” So she got to thinking. She wondered what she and her students would do “with a social media version of the poem.” What ensued is a distillation of the great epic in 100 tweets, which you can read over here.
Happy first birthday to Emily Books! The Observer ran a little recap of the book club-slash-store's lascivious first anniversary party, where Kate Zambreno and Tamara Faith Berger both read from their recent novels. Here's the Million's interview with Zambreno, and here's a #LitBeat from one of Berger's previous readings from her steamy wonder of a novel, Maidenhead.