“This is a story about a woman who was erased from her job as the editor of the most famous literary magazine in America.” For Longreads, A.N. Devers writes about Brigid Hughes, the second editor of The Paris Review, who has been all but scrubbed from the magazine’s history. See also: Dever’s 2011 Year in Reading entry.
“’I put lipstick on a pig,’ he said. ‘I feel a deep sense of remorse that I contributed to presenting Trump in a way that brought him wider attention and made him more appealing than he is’ … If he were writing The Art of the Deal today, Schwartz said, it would be a very different book with a very different title. Asked what he would call it, he answered, ‘The Sociopath.'” Donald Trump’s ghostwriter from The Art of the Deal, Tony Schwartz, expresses some remorse and tells what it was like to write Trump.
“A dark and insane fantasy about the players large and small who populated our post-9/11 landscape, it’s not just the book we’ve maybe wanted but possibly the book we’ve needed — a strange lens to help us understand who we were, what we’ve done and who we may yet become.” Nathan Deuel reviews Mark Doten‘s The Infernal (which Adam Fleming Petty reviewed for the Millions here) for the LA Times.
Erin Morgenstern‘s debut novel The Night Circus went from National Novel Writing Month project to 6-figure book advance after being rejected by more than 30 agents.
“I mostly find it sad. I understand that super religious people would not be there supporting it, but to go the extra mile to fight it when you could just not come kinda shocked me!” The Huffington Post reports on Brandon James, a drag performer whose plans to read to kids about acceptance at a North Carolina public library were scuttled after some of its patrons complained. We suppose the march of progress is never neat (via Book Riot).