“While pressure from Amazon forced Borders out of business in 2011, indie bookstores staged an unexpected comeback. Between 2009 and 2015, the ABA reported a 35% growth in the number of independent booksellers, from 1,651 stores to 2,227.” Professor Ryan Raffaelli read this surprising statistic and decided to study what exactly independent bookstores were doing in order to reinvent themselves and thrive. He found it has to do with indies embracing the three Cs; community, curation and convening. The full report will be released in 2018 but you can glimpse a preview here. Three cheers for indies!
Writing for Full Stop, Robert Fay asks, “If Mr. [T.S.] Eliot had to have a day job, why is it that writers and poets today are so cagey about what they do to pay the bills?” Previously, two of our staff writers have explored similar aspects of the same question. In 2009, Emily St. John Mandel wrote of the “constant struggle” that arises from “striking a balance between writing literary fiction and paying the rent.” And last year, Edan Lepucki looked at the perils of including “non-writing jobs” in one’s author bio.
We’ve mentioned the “What books have stayed with you?” social media trend before, and now Facebook has tallied up the most popular titles by country. The results are both exactly what you would expect – The Little Prince ranks high in France, One Hundred Years of Solitude fairs well in Latin America – and a little surprising as the Harry Potter series tops the list in countries ranging from India to Italy to Brazil.
“Desire is transformative, and transgressive: whether it’s an unpeeled onion or a noble lover, to want something, especially for women, can never be entirely benign.” Kristiana Willsey writes about folktales, fairy godmothers, childless queens and hunger in a piece for The Toast.
“In publishing, we see this play out in a number of ways. Marginalized writers are told by white editors, we need your stories now more than ever, as if we have not always needed them urgently. We are told our experiences are timely, exotic, and trendy. We are told our stories are not authentic if our characters do not suffer, as if the only way to prove that we are human is to bleed.” Natalia Sylvester on the erasure that comes when marginalized writers are constantly being told by the publishing industry and others that your book about your marginalized identity is ‘timely’.