The Digital Reader rounded up a list based on Amazon’s end of year book sales. Some interesting factoids: Dan Brown‘s Origin: A Novel was the most read and gifted book this holiday season, and Margaret Atwood‘s The Handmaid’s Tale was the year’s most borrowed book from Prime Reading. Pair with: our cheat sheet for Kindle (and other e-reader) owners.
Amazon’s Numbers Are In
My Many Selves
Recommended Reading: This incredible profile of Maggie Nelson by Hilton Als for The New Yorker. Nelson’s The Red Parts saw a paperback reissue earlier this month.
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A 2BR/2BA of your Own
Broke New York writers – by which we mean, New York writers – take note: the city’s Department of Housing is allotting a small number of $1,022 two-bedroom apartments to working artists through a convenient online application. (If that’s too rich for your blood, though, we’ve also noted previously that Write a House is giving away free houses to writers in Detroit.)
Postcard Lit
In the latest issue of Bookslut, Madeline Monson-Rosen takes a look at A Card from Angela Carter, a biography which tells the story of the writer’s life through her long correspondence with a friend.
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Plan B
“It’s rough out there for artists and writers right now, I know. There are days when you just want to throw in the towel, say fuck it, fake your own death, give insurance fraud a go, and live out of a Winnebago somewhere in remote Ontario. That’s a good plan—that’s a really good plan—but remember, you’ve got options.” The Paris Review considers the life of artist Reuben Kadish, who bought a disused dairy farm, made it a viable business in a decade’s time, and changed his medium from painting to sculpture in the process.
For those of us who refuse to trade in the typewriter, however, there’s always our popular piece on how to write a novel.
Behind the National Book Awards
Our own Edan Lepucki interviewed National Book Award finalists George Saunders and Rachel Kushner for the National Book Foundation. Saunders discussed money issues in his writing. “Now I feel like paucity vs. grace is one of the great American issues—we all live with it every day.” Kushner explained her writing process. “The sentences are beads on a string; I see each one as essential.”
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