Out this week: Venture of the Infinite Man by Pablo Neruda; Lawrence Ferlinghetti’s Greatest Poems; and a new translation of Dostoevsky’s Crime and Punishment. For more on these and other new titles, go read our most recent book preview.
The political unrest in Moscow is significant and worth covering, but it’s important to verify the facts. Over the weekend, a picture of an enormous crowd went viral, and it was billed as an image of anti-Putin demonstrations. This is not true. The image is actually from a 1991 rally in which protesters called for Mikhail Gorbachev’s resignation. It even appears in this Atlantic article from December, 2011.
With his black turtleneck, wire-rimmed glasses and conspiratorial grin, Steve Jobs was arguably the best ambassador ever between androids and humans.
“So scary are the consequences of a collapse of white privilege that many Americans have flocked to a political platform that supports and translates violence against the defenseless as strength. These people are not so much angry as terrified, with the kind of terror that makes knees tremble.” We highly recommend you read Toni Morrison‘s post-election essay for The New Yorker.
The finalists for the John Leonard Prize — for a first book in any genre — were announced by the National Book Critics Circle. This year’s finalists are Lesley Nneka Arimah‘s What It Means When a Man Falls from the Sky, Julie Buntin‘s Marlena, Zinzi Clemmons’ What We Lose, Layli Long Soldier’s Whereas, Carmen Maria Machado‘s Her Body and Other Parties, and Gabriel Tallent‘s My Absolute Darling. The winner will be announced in January. Pair with: Buntin’s 2017 Year in Reading entry.
As noted on Arts & Letters Daily, Yale’s decision to shutter its Initiative for the Interdisciplinary Study of Anti-Semitism raises the question, “Where does scholarship end and advocacy begin?”
“Now the lattice that connects us is digitally immediate we travel all the more, but we’ve lost this thrill of adventure. It’s oddly touching to read a novel where journeys are so inherently exciting, and it makes the book both consummately funny and poignantly elegiac.” On the novel Changing Places by David Lodge.