Out this week: A Hundred Small Lessons by Ashley Hay; The Valancourt Book of Victorian Christmas Ghost Stories; and Insomniac Dreams by Vladimir Nabokov. For more on these and other new titles, go read our most recent book preview.
“’These issues are constantly being brought to the surface in Roman literature, if you have eyes to see them,’ Beard said. ‘And, of course, having eyes to see them—that’s what the trick is.’” Rebecca Mead writes for the New Yorker about Mary Beard, the Cambridge classicist famous for her BBC programs on Roman life and for her handling of online harassment. For more from Beard, check out her interview with the Los Angeles Review of Books about the importance of the classics, and for more about online negativity, head to Salon‘s article on “Why female writers get trolled the most.”
“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
Those of you who remember the days before the advent of the word processor likely have some fond memories of using (or seeing other people using) a typewriter. At The Guardian, the Books Blog collects typewriter stories from readers. You could also read our own Bill Morris on keeping a pen pal and using a typewriter.