Out this week: Mean by Myriam Gurba; They Can’t Kill Us Until They Kill Us by Hanif Willis-Abdurraqib; Wonder Valley by Ivy Pochoda; Radio Free Vermont by Bill McKibben; a new translation of Homer’s The Odyssey; and Heather, the Totality by Matthew Weiner. For more on these and other new titles, go read our most recent book preview.
“In no particular order, except one of hallelujah, here’s a necessarily partial list of some other living Korean American writers whose work or person, or both, I’ve had the great good luck of encountering”….you’ll have to read the interview for the lengthy list as well as the thoughts of four Korean American writers who gathered at the behest of R.O. Kwon to discuss the influence and impact of Alexander Chee. It’s full of beautiful insights from Kwon, Nicole Chung, Alice Sola Kim, and Matthew Salesses such as “Alex said he ‘wanted to plant that flag in the culture,’ and until he said that I don’t know if I’d thought about it as a reason to write. The need to exist in the canon, in the literary world. I found that very powerful, and very brave”. Chee’s newest book is an essay collection, How to Write An Autobiographical Novel, that we eagerly anticipated last month.
Over at The Paris Review, Hannah Tennant-Moore defends the merits of disturbing literature. We are fascinated with the disturbing, because, as Tennant-Moore asserts, “wonder, disgust: both feelings are true.” Here’s a bonus piece on A.M. Homes‘ darkly comic May We Be Forgiven and on comforting the disturbed — or is it disturbing the comforted?