“Hill had maintained a daily writing routine since age 13, completing four or five books as a teen and four more as an adult, and was now, at the cusp of 35, finally putting out a novel—a ghost story.” GQ profiles Joe Hill about his writing, being the son of Stephen King, and finding success in his own right. From our archives: our own editor Lydia Kiesling‘s essay on King, nostalgia, and America.
John Jeremiah Sullivan is working on abandoning the "slightly exaggerated pastiche of himself as narrator" that's driven most of his essays so far.
Over the course of a half-century, Vladimir Nabokov wrote hundreds of letters to his wife Vera, which are being published in book form this week for the first time. Among other things, they reveal the absurd pet names he invented for her (such as Goosykins and Monkeykins) and display Nabokov musing over whether or not to borrow a friend’s castle for the summer. Also worth reading: our own Garth Risk Hallberg on Nabokov’s Ada, or Ardor.
Before adopting the relatively unimaginative (and highly debatable) moniker “The Greatest City in America,” Baltimore, MD was for a time known as “The City That Reads.” In an essay for Poets & Writers, Jen Michalski explains how the city’s bookish reputation endures despite the motto change.
“The striking thing about her search for God is that she sometimes finds him. Pilgrim at Tinker Creek’s second chapter, after a kind of introduction, is titled 'Seeing.' There are two kinds, she explains. The common variety is active, where you strain, against the running babble of internal monologue, to pay attention to what’s actually in front of you. But, she tells us, ‘there is another kind of seeing that involves a letting go.’ You do not seek, you wait. It isn’t prayer; it is grace. The visions come to you, and they come from out of the blue.” On Annie Dillard’s turn to silence.
"I used to run cross country in high school and it was like, I knew if I put in a certain kind of training, it was going to make me faster. If X, then Y. But with writing, it’s like, if X, if I do this thing that’s necessary, which is giving myself the space and time, then what? It’s sort of a question mark. You have no idea. You work so hard to offer yourself up to the space of the unknown." Leslie Jamison (and Angela Flournoy and Katherine Towler) on being alone and setting aside the time to write.