“It’s really strange to have the success of a poem be so directly tied to people processing grief. It’s a strange thing, because it’s a blessing and a curse.” The Rumpus interviews poet Maggie Smith about her new collection, Good Bones, her viral poem that shares its name, and her craft. From our archives: Smith’s collection was featured in our round-up of October’s Must-Read Poetry.
“I would have been an abject failure in a writing program. I am not unteachable, but I am probably the only person who can teach myself. I don’t learn extremely well, formally. I wouldn’t even consider myself a very good reader. Maybe a slightly above average reader.” At The Morning News, Robert Birnbaum sits down with Charles Yu.
Granta has published translated writing from Nobel Prize winner Svetlana Alexievich. She writes: “In 1986 I had decided not to write about war again. For a long time after I finished my book War’s Unwomanly Face I couldn’t bear to see a child with a bleeding nose. I suppose each of us has a measure of protection against pain; mine had been exhausted. Two events changed my mind.” Find out more about Alexievich here.
World-building is an essential part of any story, but what about map-making? At Book Riot, two cartographers explain how they create the maps we see inside books. One cartographer’s perspective: “I really wanted to make a map that could easily be an artifact from the world of the book…. I came up with the idea that the map could be a page ripped from an atlas, and someone had written notes on it.” See also: Rob Goodman’s essay for the reader on world-building and its relationship to reality.
Coming this fall: a newly published autobiography that Laura Ingalls Wilder wrote before she decided to retool her life story into the Little House on the Prairie books. Originally intended for an adult audience, Pioneer Girl gives a decidedly unsanitized account of Ingalls Wilder’s life, including love triangles, deadbeat fathers and episodes of drunken abuse. In The Telegraph, Rosa Prince compiles a preview of the new book.