This Veterans Day David Abrams encourages authors and others in the media to move beyond the one-dimensional portrait of veterans or those currently serving in the military. “Far too often, those who serve are a collection of clichés from the far ends of the spectrum: either clean-cut, impossibly perfect heroes or PTSD-addled warriors ready to erupt in spree-shooting rage. The regular working class in camouflage are virtually invisible.” A necessary reminder for authors and readers.
Out this week: Wait Till You See Me Dance by Deb Olin Unferth; Our Short History by Lauren Grodstein; Lucky You by Erika Carter; An Arrangement of Skin by Anna Journey; The River of Kings by Taylor Brown; and More Alive and Less Lonely by Jonathan Lethem. For more on these and other new titles, go read our most recent book preview.
Andrew Phelps interviews Sarah Wolzin, director of MIT’s new Open Documentary Lab, which “brings technologists, storytellers, and scholars together to advance the new arts of documentary.” The Lab, according to Phelps, is “part think tank, part incubator for filmmakers and hackers.”
Attention! The finalists for the 2016 Oddest Book Title of the Year award have been announced — my personal favorite has to be Reading From Behind: A Cultural History of the Anus. Pair with the ever exciting Bad Sex in Fiction award and you’ve got yourself your own little literary Oscars party.
“That no-way-out is really the difference between boys and girls in working-class culture, because a working-class boy could run, or could when I was growing up.” Guernica interviews Dorothy Allison about literature as glory; survival, opportunity, and gender; and working-class heroes vs. heroines. For your reading consideration: Bill Morris‘s essay on the riches of “white trash” literature.
The internet’s repository of Franz Kafka-inspired literary treats seems to have no bounds. This latest: his excellent short story “The Country Doctor” has been adapted by Japanese filmmaker Kōji Yamamura into a 20-minute animated film (subtitled). Kafka adaptations clearly aren’t going anywhere. Pair with our essay on the subtle art of rereading his most famous story.
The Empathy Exams, a new collection of essays by Leslie Jamison, gets its title from a piece about medical acting that was published in The Believer. On the Harper’s blog, you can read an interview with Jamison, who calls her collection “a refusal to choose between these approaches — criticism, confession, journalism.” (Michelle Huneven interviewed Jamison for The Millions a couple of years ago.)