Out this week: Catapult by Emily Fridlund; Ferocity by Nicola Lagioia; The Power by Naomi Alderman; Crimes of the Father by Thomas Keneally; A Scattering and Anniversary by Christopher Reid; The Unstill Ones by Miller Oberman; The Secret Life by Andrew O’Hagan; and Devotions by Mary Oliver. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: Fridlund; Lagioia; Alderman; Keneally; Reid; Oberman; O’Hagan; Oliver
The Bechdel Test Through History
Sometime Millions contributor Frank Kovarik takes a look at Alison Bechdel's famous test for gender bias in movies and applies it to literary classics going back to Homer.
“Our job is to analyse data, not to love words.”
The Telegraph catches up with John Simpson as he prepares to retire from his role as chief editor for the Oxford English Dictionary. “I used to keep a notebook in my pocket in case I came across new words,” Simpson says at one point. “That worked until I put my trousers in the washing machine.”
On Being an Unfair Teacher
"Classroom lessons may slip quickly through students’ fingers, but the classroom experience lingers in memory. Each teacher offers students a different model of authority and justice. We set our own standards of fairness and sometimes fail to honor them. A teacher swings a heavy club, and we can leave big, purple bruises if we’re not careful." Ben Orlin writes for The Atlantic about becoming an unfair teacher and then resolving to improve. For more thoughts about teaching, be sure to check out our own Nick Ripatrazone's "55 Thoughts for English Teachers."
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Hitchens on Cancer
Christopher Hitchens in Vanity Fair on his cancer diagnosis: "To the dumb question 'Why me?' the cosmos barely bothers to return the reply: Why not?"
Something Simple
"When I want to be ambushed, captured, thrust into a strange and vivid world, and tossed aloft until I cannot stand it, until everything is at stake and life feels almost unbearably vivid, I do something simple. I read short stories." Electric Literature has posted Ben Marcus's "paean to the contemporary American short story," which doubles as the introduction to New American Stories and does a pretty good job of capturing just what it is we love about reading fiction.