“The novel is told from the perspective of an unnamed African-American narrator who considers himself to be socially invisible due to the color of his skin,” writes Variety. Following in the footsteps of its adaptation of Margaret Atwood‘s The Handmaid’s Tale, Hulu is in the beginning stages of adapting Ralph Ellison‘s Invisible Man. Read our own editor Lydia Kiesling on Ellison’s Invisible Man.
If you were like this writer when you were growing up, you knew — nay, believed — that Sonic the Hedgehog was better than Mario, full stop. At The Verge, Trent Volbe explains the Blue Blur’s greatness, including a sample from the Green Hill Zone soundtrack to illustrate the games’ sick bass grooves.
The recently (and controversially) appointed poet laureate of North Carolina has resigned from the post, but the upset generated by her short-lived laureateship can be interpreted as a sign of just how important poet laureates are. If you’re unconvinced, or simply confused about what exactly poet laureates do, we have just the links for you.
I’ve gotten a little behind in my reviews of books I’ve read recently. Maybe I’ll get to it this weekend or early next week. In the meantime here are three literary links that caught my eye today:The many challenges of turning books with non-textual elements into audiobooks. Also discussed: how to verbally render David Foster Wallace’s copious footnotes. (New York Times).Daedalus, the big remainder house, is opening a standalone bookstore in Baltimore (Baltimore Sun). Previously: I discuss remaindered books – and buy some, too!A mysterious person – or possibly persons – has been placing roses and a bottle of cognac on Edgar Allen Poe’s grave each year for 57 years on the anniversary of the writer’s birthday. This year some nosy people got in the way, but the meaning behind the ritual and the identity of the visitor remains hidden. (Guardian)
“Publishing is a word that, like the book, is almost but not quite a proxy for the ‘business of literature.’ Current accounts of publishing have the industry about as imperiled as the book, and the presumption is that if we lose publishing, we lose good books. Yet what we have right now is a system that produces great literature in spite of itself.” Twenty-first century publishing works in mysterious ways.