“The novel is told from the perspective of an unnamed African-American narrator who considers himself to be socially invisible due to the color of his skin,” writes Variety. Following in the footsteps of its adaptation of Margaret Atwood‘s The Handmaid’s Tale, Hulu is in the beginning stages of adapting Ralph Ellison‘s Invisible Man. Read our own editor Lydia Kiesling on Ellison’s Invisible Man.
Cheryl Strayed’s collection of “Dear Sugar” columns is out this week (read our review). Also out are Our Kind of People by Uzodinma Iweala, The Investigation by Philippe Claudel, True Believers by Kurt Andersen, and The Absolutist by John Boyne. The new edition of Hemingway’s A Farewell to Arms with all the extra endings is out, as is (just in time for the Olympics) an oral history of the original Dream Team. Donald Ray Pollack’s The Devil All the Time is out in paperback.
To get a full sense of the legacy of William Blake, you need to see his paintings alongside his famous poems. The Wordsworth contemporary did much of his best work — including the covers of his own collections — with a brush. At the New York Review of Books blog, Jenny Uglow pays a visit to a new exhibition at Oxford.
A big week for books: Zadie Smith’s NW is out (read the first lines), as is Christopher Hitchens’s Mortality, a collection of essays penned while he fought cancer (our essay on Hitchens’ death) (his collection Arguably is out in paperback today). More new books: Emma Straub’s Laura Lamont’s Life in Pictures, Umberto Eco’s essay collection Inventing the Enemy, Davy Rothbart’s essay collection My Heart Is an Idiot, Frederick Seidel’s poetry collection Nice Weather, documentarian Errol Morris’s A Wilderness of Error: The Trials of Jeffrey MacDonald, and the Navy Seal book about the bin Laden mission. Also, The Marriage Plot by Jeffrey Eugenides is now out in paperback (read Eugenides on the book’s genesis), as is Stephen Greenblatt’s Pulitzer winner The Swerve.
Also the name of a beautiful book of poetry by Jake Adam York, a group of starlings is known as a “murmuration.” One could make the case that the birds are America’s most literary. Each of the hundreds of millions of European starlings currently inhabiting North America is a descendant of the approximately 100 birds released in New York City’s Central Park in the early 1890s. They were released by a society intent on populating America with each of the birds mentioned in Shakespeare’s plays.