“It comprises 10 short stories written by Iraqis, all of whom were guided by a simple yet fertile premise: What might Iraq look like a century from now?” The Atlantic review’s Tor’s anthology Iraq + 100 (originally published last year by Comma Press in England), which was released stateside last month—in an attempt to bring visibility to an underrepresented group of writers in America. Read The Millions’ review of the “ambitious short story collection” from March.
Iraqi Speculative Fiction Comes to the US
Mapping the Territory
“No map can be a perfect representation of reality; every map is an interpretation, which may be why writers are so drawn to them,” Casey N. Cep writes about the fictional map at The New Yorker. Pair with: Our review of Where You Are.
Lit Kids, Ctd.
Last Tuesday, I wrote about an article in the Literary Review that shed light on the daughters of Wordsworth and Coleridge. Now, in the LRB, Tim Parks reviews a new biography of the children of Charles Dickens. (Related: our own Mark O’Connell reviewed Mr. Parks’s new book.)
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Australian Best
Lit-mag Meanjin Quarterly is taking a cue from The Millions and kicking off a new series, The Best Australian Fiction of the 21st Century (so far).
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The Thriller Code
“Rather than outlining your plot in chronological order, try outlining your plot as if it were a candle burning at both ends. Begin the process by writing your first and last chapter simultaneously.” Amazon Author Insights gathers, well, insights on writing from Dan Brown and other famous crime and thriller novelists. (Full disclosure: Amazon helps us pay the bills around here!) We will also never not recommend this evergreen piece from our own archives, of writers on the best advice they ever received.
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The Master
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