“A book critic working today must contend with a world in which more diverse voices are heard and the traditional gatekeepers have less power to enforce conformity.” LitHub interviewed Kate Tuttle, the president of the National Book Critics Circle, about literary criticism. Read our own Emily St. John Mandel on bad reviews.
Some very cool Hunter S. Thompson photography showing now at an LA gallery. The show coincides with a pricey new “collector’s edition” book that “presents a rare look into the life of Thompson.” (via)Another most literate cities list has arrived. In 2006, Seattle wins, with Minneapolis second. My hometown Washington, DC, is tied for third and LA, where I lived when I started this blog, is eighth. The last two cities I’ve lived in, Chicago (39th) and, now, Philadelphia (tied for 33rd), fail to crack the top ten. Not sure what conclusions I can draw about that, but USA Today draws its own conclusions in an article about the list.Somebody gets into Gwenda’s garbage, her papers fly everywhere, and before you know it, she’s cought in a “indie movie scene wrought with ironic symbolism.” Brilliant.Lesser-Known Editing and Proofreading Marks. Also Brilliant. (via Languagehat)On a more serious note, Tim O’Reilly explains why the book search efforts of Google, et al, are broken. The problem is that we must search in Google’s (or Yahoo’s) walled garden. There is no way to search across all of the books that have been digitized, which is very much at odds with our experience on the Web, where we can search everything at once.
Roald Dahl’s estate has released a 1961 draft chapter of Charlie and the Chocolate Factory. The draft reveals a number of little-known characters the author later excised from the book. It also reveals that, at one point, the story featured as many as 10 golden tickets. The Guardian has the draft chapter in full.
“Rather than presenting a single, definitive story—an ostensibly objective chronicle of events—these books offer a past of competing perspectives, of multiple voices. They are not so much historical as archival: instead of giving us the imagined experience of an event, they offer the ambiguous traces that such events leave behind.” On the role of realist historical fictions.
Another big week for books is headlined by Michael Chabon’s Telegraph Avenue (the book’s opening lines) and Junot Díaz’s This Is How You Lose Her. Also out are Susan Straight’s Between Heaven and Here, touted debuts The People of Forever Are Not Afraid by Shani Boianjiu and The Yellow Birds by Kevin Powers, How Music Works by Talking Heads frontman David Byrne, and Bob Woodward’s latest Beltway tick-tock The Price of Politics.
For those who are out of the collegiate loop and are curious what’s being assigned in classrooms these days, The Literary Hub has compiled a fascinating list of books being taught by English professors at institutions across the country. Pair with these two related pieces from The Millions on the business of teaching creative writing and fifty-five thoughts on teaching English in public school.