The Walter Scott prize did an analysis of prize submissions since its eight years of existence-with 650 novels submitted-and found that “38% of its submissions were set in the 20th century, while 19% were set in the Victorian era, between 1837 and 1901.” They also found many of the submissions focus on World Wars II and II and that the number of women historical fiction writers submitting their work has gone up.”The [Walter Scott] Prize celebrates quality, innovation and longevity of writing in the English language, and is open to books first published in the previous year in the UK, Ireland or the Commonwealth,” the breakdown is fascinating.
A very big week for new books: See Now Then by Jamaica Kincaid; My Brother’s Book, the last book completed by Maurice Sendak before his death in May 2012; How Literature Saved My Life by David Shields; The City of Devi by Manil Suri; a new edition of Breakfast at Tiffany’s & Other Voices, Other Rooms by Truman Capote; The Love Song of Jonny Valentine by Teddy Wayne (see our interview today); P. G. Wodehouse: A Life in Letters; Wise Men by Stuart Nadler; debut novels Autobiography of Us by Aria Beth Sloss and Frances and Bernard by Carlene Bauer; City of Angels, an autobiographical novel by Christa Wolf; and House of Earth, the lost novel of Woody Guthrie.
“I have always had faith that the best writers will rise to the top, like cream, sooner or later, and will become exactly as well known as they should be—their work talked about, quoted, taught, performed, filmed, set to music, anthologized. Perhaps, with the present collection, Lucia Berlin will begin to gain the attention she deserves.” An excerpt from Lydia Davis‘s foreword to Berlin’s A Manual for Cleaning Women: Selected Stories is now online.
“Still, it’s difficult to know whether [Shel] Silverstein, who died of a heart attack in 1999, after keeping out of the public eye for more than two decades, meant for us to read the book so conclusively. His biography and body of work suggest a subtler, and, in the end, perhaps an even more troubling, way of looking at it.” Ruth Margalit on The Giving Tree.
“Keep a close eye on your Twitter account. Important things may be said there that you will be expected to weigh in on, and if you don’t, everyone will wonder if you fell asleep in the bathroom stall of the bar last night and are still there, head sunken low next to the toilet, one lost contact lens embedded somewhere in the floor grime. Make sure they know you’re not; that was the you of 100 million years ago.” Jen Doll on writing and not-writing.