“We editors told ourselves the naked women were merely carnival barkers: they got an audience into the tent, but we kept them with the content.” In the Guardian, Playboy‘s former fiction editor Amy Grace Loyd reveals what it was like to work at the magazine and how she commissioned work from writers like Donna Tartt, Margaret Atwood, and Junot Díaz. Read our review of Loyd’s debut novel, The Affairs of Others.
Sloane Crosley, this year’s editor of The Best American Travel Writing, out today, wrote some key travel tips for those who are vain, budget-conscious, and notoriously lazy.
“Though female authors write experimental novels about women—like Renata Adler’s Speedboat or Sheila Heti’s How Should a Person Be?—the avant-garde has long been associated with male authors and stories. That association made Alexandra Kleeman’s You Too Can Have a Body Like Mine seem doubly unusual.” On Kleeman’s debut novel and blatantly feminine themes in the avant-garde.
Remember that time Haruki Murakami decided to write an advice column and answered over 3,000 letters from fans? Well, now a selection of those letters and his wisdom-filled responses are being collected and published as book in eight volumes. Though there are no current plans to translate the work into English, we hope that changes soon – after all, what could be more charming than Murakami’s advice about cats?
Originally, the film 2001: A Space Odyssey included more narration by co-writer Arthur C. Clarke, whose short story “The Sentinel” was the basis for Stanley Kubrick’s script. At the last minute, Kubrick decided to cut them out, which led to Clarke leaving the US premiere halfway through. In a piece for The New Statesman an old friend of Clarke’s explores his side of the story. You could also read Ted Gioia on a weirdly predictive ’60s sci-fi novel.