“We editors told ourselves the naked women were merely carnival barkers: they got an audience into the tent, but we kept them with the content.” In the Guardian, Playboy‘s former fiction editor Amy Grace Loyd reveals what it was like to work at the magazine and how she commissioned work from writers like Donna Tartt, Margaret Atwood, and Junot Díaz. Read our review of Loyd’s debut novel, The Affairs of Others.
When you want to distinguish fiction and poetry writing from academic work or journalism, you use a straightforward term: creative writing. But what if that term is not the one you should use? At Slate, an article on the subject by Cydney Alexis, originally published by Inside Higher Ed.
The Harvard Hoaxer‘s not-to-be-missed resume (pdf) includes several impressive under-contract book projects, including The Mapping of an Ideological Demesne; Wampum and the Origins of American Money; and A Short History of North America. Pretty impressive, for a 23-year-old.
This week, David Mitchell (author of Cloud Atlas and the forthcoming The Bone Clocks) is releasing a new short story over 280 tweets (which you can read here). Form follows content, he explains, since his narrator is a teenager high on his mother’s Valium. Mitchell joins good company: Teju Cole, Junot Diaz, and other notables have tried their hand with this strange new form. Pair with: a stroll down memory lane with some beloved authors’ very first tweets and their best.