If you haven’t had a chance to finish perusing the New York Times Style Magazine’s ‘The Greats’ issue make sure you at least find the time to read Dave Eggers profile of Year in Reading alum Chimamanda Ngozi Adichie. She is on one of their seven covers and if you’ve ever wanted to know about her family and what kind of reading she wants to do more of, this is the interview for you. “‘That boy,” she said, and sighed. She was still thinking about Edwyn. ‘There was something so clean and pure and true about his writing, don’t you think? Increasingly I find that that’s the kind of thing I want to read.'”
“His writings rarely make it to the US, and are resolutely for an Indian readership. They will win no prizes nor inspire dissertations. But for these reasons they represent the actuality of what many people in the world are reading today, outside of the newly sanctified category of the 'global novel.'” Ulka Anjaria for Public Books on Chetan Bhagat, “possibly the most successful Indian English novelist ever” and largely unheard of in the west. For more fictional Desi perspectives, read Aditya Desai in our own pages on reading narratives of Indian women.
Neil Gaiman is famous for a lot of reasons, but perhaps the number one reason is Sandman, the graphic novel series that won the author nineteen Eisner and six Harvey awards. Now, twenty-five years after publishing the first issue, Gaiman has written a prequel, named Overture.
This week saw the release of Vanishing Point, Vol. II: Songs of the Living and Dying. You may recall my earlier mention of the Vanishing Point project, which was recently borne out of Duke University’s Center for Documentary Studies. This time around, the publication boasts a redesigned appearance, and it features articles and essays about midwifery in Mali, the intersections between poetry and cinema, and a view of Walden Pond that you’ve never seen before — all presented with accompany visual material, and all produced by university students. This is outstanding stuff, and it’s well worth your time.
"I HAVE A FLOWER. OHO. SUDDENLY WE’RE NOT SO SKEPTICAL, ARE WE?" I know it's 2016 and he's been dead for almost two hundred years now, but these otherwise inexplicable texts from Samuel Coleridge (by way of Mallory Ortberg at The Toast) are hilarious and totally believable. Some earlier hits include texts from Charles Bukowski and Cormac McCarthy.