Nicole Chung interviews Amy Tan about her new memoir Where the Past Begins: A Writer’s Memoir, one of the highlights is when Tan ponders being one of the ‘first’ authors that people name/read when they think of Asian-American literature. “But when [“The Joy Luck Club”] came out, it did feel like there were many expectations from all areas — not just in the Asian American community, but in Asian culture itself, and in any ethnic studies community. There were people who said ‘At last!’ and there were people who said ‘How dare she?’ […] I wanted to say: I’m not writing sociology, it just so happens this is what happened in my own family.”
“People in the publishing industry were complaining that ‘everyone is a writer now.’ I thought, well, why fight that? Isn’t that a good thing?” Andy Hunter, Publisher & COO of Catapult, Publisher of Literary Hub, and Co-Founding Chairman of Electric Literature, talks about the impetus for his three ventures.
If you’re tired of only getting catalogs and bills in your mailbox, ask your friends to mail their tweets. For a month, Giles Turnbull corresponded with 15 of his Twitter followers by mail. “Tweeting by post made me appreciate the online and the offline. Brevity is a good thing, but there’s no reason we should only be brief on Twitter,” Turnbull writes for The Morning News. Pair with: Our roundup of literary Twitter’s first tweets.