“[Mark] Twain wasn’t above the contrivances of capitalism, even as he skewered them. . . From nonage to dotage, in dire straits or in the pink, he was always a capricious entrepreneur, counting the zeroes on an imaginary balance sheet.” The New Yorker writes about the humor writer’s many failed attempts to get very rich. From our archives: Twain and the Wild West.
The Adventures of Getting Rich Quick
Youth Movement
A somewhat startling headline: “Amelia Lester, 26 Year Old Former Fact Checker, is the New Managing Editor of The New Yorker.” Another interesting tidbit: The New Yorker has been exempt from meeting with the consultants who are currently scrutinizing the rest of Conde Nast’s titles.
Harvey Pekar
Guernica has excerpted Harvey Pekar’s posthumous Not the Israel My Parents Promised Me, which is out just today.
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The Birth of the Novel
Recommended Reading: On Herman Melville and his reputation for “being sexually dangerous, and even depraved.”
“As if they didn’t exist.”
Recommended Reading: This excerpt from Brian Warfield’s forthcoming novella Bridges No Longer Span These Waters.
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How Slender Man was made
Half-meme, half-myth, ‘Slender Man’ came to us from the same internet that brought LOLcat, doge, and Rule 34. After the surreal stabbing of a 12-year-old girl by two other children claiming they were acting on his behalf, this particular story has taken on a tragic resonance. In The Semiotic Review, Jeffrey Tolbert argues that Slender Man took hold because of the documentary nature of internet ‘evidence’. As one Something Awful blogger put it, “Even if we don’t really believe in [Slender Man], we are cutting him out and sewing him together. We’re stuffing him with nightmares and unspoken fears. And what happens when the pictures are no longer Photoshops?” Very meta–and very scary, all over again.
With A Grain of Salt
Charles Baxter doesn’t believe in writing routines, but he does have some odd superstitions. “I don’t like to spill salt. I throw it over my left shoulder. But if I spill salt in the morning, my day is fucked,” he told The Daily Beast.
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Light Us Up
For whatever reason, the Zippo lighter has earned a place as an icon of Americana, a symbol of everything simple and reliable in the country. At the Ploughshares blog, Nancy McCabein pays a visit to the Zippo Museum, punctuating her account with quotes from works of literature that feature the lighter.
Can We Keep “Making It New”?
Recommended reading: Pankaj Mishra and Benjamin Moser debate the continued possibility and relevance of Ezra Pound‘s “Make it New” for The New York Times Books Bookends.
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