“I wanted to be really careful about not pretending to write The Transracial Adoptee’s Experience, because (1) there is no such thing, it’s going to be different for everyone, and (2) I feel strongly that those stories should be told by the adoptees themselves, if they choose to share them,” Year in Reading alum Celeste Ng, author of Little Fires Everywhere, in conversation with Nicole Chung.
Writing the Transracial Adoptee Experience
Writing Literary Twitter
“Reading Literary Twitter is to witness brief, terse glimpses into the writerly psyche, and how insecure and unsure and thin-skinned we tend to be. As writers, we want to be validated. We want to matter. The published stories and poems and essays, the books we sell, the magazines we edit: all this output, this paper expelled out to the world, the screens we invade with our narratives, it all matters to us. But does it matter to everyone else?” mensah demary writes about the good, the bad, and the slightly neurotic of being a writer on Twitter for Electric Literature.
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The 12th Caine Prize
NoViolet Bulawayo has won the 2011 Caine Prize for African Writing for her story “Hitting Budapest” (pdf).
“Stare at us stoned like eyes determined”
Rage Against the Machine frontman Zach De La Rocha has penned a poem dedicated to the Occupy Wall Street movement.
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Round One of the Rooster
With the preliminaries out of the way, The Morning News Tournament of books unveils its first head-to-head matchup today, Teddy Wayne’s Kapitoil versus Jonathan Franzen’s Freedom. Don’t miss the commentary that accompanies each judgment (some say it’s the best part of the whole thing.)
‘Bout Goddamn Time
In The Guardian, Sam Leith reviews Holy Sh*t: A History of Swearing, a new book by Melissa Mohr. In it, Mohr argues that swearing just ain’t what it ****ing used to be, man.
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A Cure for Writer’s Block
“Don’t discount the two greatest cures for [writer’s] Block: plagiarism and suicide.” Joshua Cohen dispenses some curious advice to writers at Ask the Paris Review.
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