“Rather than outlining your plot in chronological order, try outlining your plot as if it were a candle burning at both ends. Begin the process by writing your first and last chapter simultaneously.” Amazon Author Insights gathers, well, insights on writing from Dan Brown and other famous crime and thriller novelists. (Full disclosure: Amazon helps us pay the bills around here!) We will also never not recommend this evergreen piece from our own archives, of writers on the best advice they ever received.
Hitchens looks back at the Rushdie fatwa and its legacy of censorship.The Feltron 2008 Annual Report“The Governor and the Glove” – an encounter with BlagojovichJoseph O’Neill remembers Updike (via TEV)Ted Leo performs Bruce Springsteen’s “Dancing in the Dark.”The Paleolithic era of online news.TNR reviews Outliers: “It is an axiom of Malcolm Gladwell’s method that a perfect anecdote proves a fatuous rule.“
Over at The Atlantic, Terrence Rafferty claims that women are writing the best crime novels. “Their books are light on gunplay, heavy on emotional violence. Murder is de rigueur in the genre, so people die at the hands of others—lovers, neighbors, obsessive strangers—but the body counts tend to be on the low side,” he writes. Pair with this Millions piece on novels where women are true detectives.
South Floridian bandits, fishermen, drunks, madmen, and college students are mourning the imminent demise of beloved Miami institution, Jimbo’s. The site of the “Who Lets The Dogs Out” video, the Flipper movie starring Elijah Wood, and a couple iterations of the now-defunct Swampstomp music festival, Jimbo’s defied summation. Put simply, you had to see it yourself. The way I always explained it to my friends up North was by telling them it was like The Rum Diary met CBGB’s and Will Smith’s “Miami” video. Still, even that’s insufficient, so I recommend reading the Miami New Times‘ epic chronicle of the place’s history.
Albert Uderzo, co-creator of Asterix, announced his retirement yesterday. Since 1977, Uderzo has been the sole author of the popular French comic books, which have sold over 350 million copies worldwide. His successor has yet to be named, though Uderzo said it will be an artist “who has been following us for a long time inside a studio I set up.”
There are two essays on the narrative genius behind The Twilight Zone, Rod Serling, over at Berfrois: Michael A. Moodian on how using genre tropes allowed Serling to tell politically volatile stories during the McArthy era of Hollywood, and Christopher Cappelluti takes a look at how The Twilight Zone changed television history.