“Rather than outlining your plot in chronological order, try outlining your plot as if it were a candle burning at both ends. Begin the process by writing your first and last chapter simultaneously.” Amazon Author Insights gathers, well, insights on writing from Dan Brown and other famous crime and thriller novelists. (Full disclosure: Amazon helps us pay the bills around here!) We will also never not recommend this evergreen piece from our own archives, of writers on the best advice they ever received.
The Thriller Code
Ostentatiously Withholding Information?
A Little Life by Hanya Yanagihara is scooping up award nominations left and right. Given the relative heaping of praise, it’s interesting to hear a dissenting voice. This review from the London Review of Books offers us just that. If it’s more Yanagihara you’re after, here she is in a recent interview for The Millions.
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A Little Too Into It
Novels that focus on obsessive characters hinge on persnickety details. The need to depict accurately the mind of an obsessive demands that the novelist overemphasize the trifling and tangential. In The Kenyon Review, Vanessa Blakeslee reviews a new and representative example of the form, The Understory by Pamela Erens. Sample quote: “When the smaller steps of daily life are magnified, does that narrative reach its greatest potential for a unified and powerful resonance?” FYI, Erens has written for us.
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Chocolate Tears
“I can tell you that it was his agent who thought it was a bad idea, when the book was first published, to have a black hero.” Roald Dahl‘s widow says that he intended for the eponymous hero of Charlie and the Chocolate Factory to be “a little black boy.” Pair with our own Jacob Lambert‘s fond recollection of reading Dahl to his son.
But How Many Samples Does it Use?
One good way to spend your Sunday: reading a 7,834-word Atlantic profile of Kanye West. Heck, even Obama’s a fan.
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