We’ve recommended reading up on Jenny Zhang‘s Sour Heart before, this interview in Hazlitt is one of our favorites. “And maybe this is crude to talk about, it’s not even that I don’t want to write a memoir. Beyond that, do you understand how vulnerable it makes someone to call something nonfiction? Not just emotionally vulnerable but financially vulnerable, do you realize someone that makes $40,000 a year cannot be hit by a lawsuit by some angry ex who objected about a chapter about him? Some guy sees one line about him, missing thousands of lines not about him. That’s why celebrities are the ones who write memoirs.”
A few weeks ago, Benjamin Hale wrote an article for us about the trivialities and happenstance associated with publishing prizes. His point was that legacy was more important than short-lived fame. In a way, his piece is nicely supplemented by Tom Bissell’s essay on the luck and chance necessary to attain literary success.
Recommended reading: Lauren O'Neal writes for the LA Review of Books about analog music, Millennial poetry and Jack White's foray into publishing.
I thoroughly enjoyed the second installment of Emdashes' Ask the New Yorker Librarians series.Michiko Kakutani hates Jonathan Franzen's new memoir, The Discomfort Zone. Kakutani's wrath filled pen aside, Ed explains why she's right, and I have to agree. I looked back through the archives here and realized I hadn't elaborated on it much beyond writing back in 2003 that "Franzen's non-fiction bugs the heck out of me," but it put me off enough that I avoided reading The Corrections for a long time because of it.Speaking of reviews, it's a good thing Bob Dylan didn't get the Franzen treatment. He tells contactmusic.com that while he doesn't care about music reviews, the reviews for Chronicles Vol. 1 meant a lot to him: "Most people who write about music, they have no idea what if feels like to play it, but, with the book I wrote, I thought, 'The people who are writing reviews of this book, man, they know what the hell they're talking about. They know how to write a book, they know more about it than me.' The reviews of this book, some of 'em almost made me cry - in a good way. I'd never felt that from a music critic, ever."Even though it seems like there's another "book banning" story in the news every week, the AP reports that the 405 challenges reported to the American Library Association last year is the smallest number since they started keeping track in the early 1980s. The challenges have dropped by more than half since the ALA started Banned Books Week to promote free expression. Kudos to the librarians.The second most brilliant magazine in the world (refer to the top item in this list for the first), The Economist has a characteristically well-considered a piece on the newspaper industry's timid efforts to embrace the Internet. Thanks to Millions contributor Andrew for sending this along.
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