We’ve recommended reading up on Jenny Zhang‘s Sour Heart before, this interview in Hazlitt is one of our favorites. “And maybe this is crude to talk about, it’s not even that I don’t want to write a memoir. Beyond that, do you understand how vulnerable it makes someone to call something nonfiction? Not just emotionally vulnerable but financially vulnerable, do you realize someone that makes $40,000 a year cannot be hit by a lawsuit by some angry ex who objected about a chapter about him? Some guy sees one line about him, missing thousands of lines not about him. That’s why celebrities are the ones who write memoirs.”
Non Fiction Takes a Certain Vulnerability
Apply for the Anisfield-Wolf Fellowship!
February 1st is the application deadline for the Cleveland State University Poetry Center Anisfield-Wolf Fellowship in Writing and Publishing. It’s a two year post-graduate fellowship that offers $40,000 per year while you work on completing a second book or starting a first. Apply now!
The Modern Memoir
Recommended Reading: On the memoir, “the offspring of the slave narrative,” as a literary form from the Black tradition. Recent examples range from Ta-Nehisi Coates and Margo Jefferson to Clifford Thompson and Rosemarie Freeney.
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Open Letters Reborn
Open Letters Monthly has relaunched with a smart-looking new site and three new blogs: Like Fire, stevereads, and the Walt Whitman-focused Whitman’s Blog.
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Hair Trafficking and Russiandating.ru at Triple Canopy
Triple Canopy unveils a redesign with its tenth issue, which includes an essay tracing the global hair trade from Peru to Borough Park and Sam Frank riffing on Andrei Platonov in a twenty-first century epistolary romance.
Vote for The Millions at 3 Quarks Daily
Hey look, several pieces of ours are in the running to win 3 Quarks Daily Arts and Literature Prizes! On their voting page, you can cast your ballot for James McWilliams’s piece on Faulkner, our own Hannah Gersen’s appreciation of Friday Night Lights, or our own Nick Ripatrazone’s essay on teaching English, among other nominees.
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Biography: The Story of Our Times
“There is one rule [to writing biography] that all who try their hand at it come to know: until the protagonist reveals his or her character—his or her inner self—what the biographer produces is less a life than a report, an autopsy rather than the record of a séance.” David Levering Lewis writes for The American Scholar about biography and writing “the lives of African-American figures, and [finding] in them the story of our times.”
Living and Translating is Wearing Me Out
The premier English-language translator of modern Chinese fiction, Howard Goldblatt, says flatly that Western audiences don’t read Chinese books. However, with last year’s Nobel Prize win for Mo Yan (and the rave review his novel Pow! received in the Times), Goldblatt and other scholars are hoping that could change.
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