We’ve recommended reading up on Jenny Zhang‘s Sour Heart before, this interview in Hazlitt is one of our favorites. “And maybe this is crude to talk about, it’s not even that I don’t want to write a memoir. Beyond that, do you understand how vulnerable it makes someone to call something nonfiction? Not just emotionally vulnerable but financially vulnerable, do you realize someone that makes $40,000 a year cannot be hit by a lawsuit by some angry ex who objected about a chapter about him? Some guy sees one line about him, missing thousands of lines not about him. That’s why celebrities are the ones who write memoirs.”
"There are people who believe that readers and writers—at least the right kind of readers and writers—are special snowflakes, existing on a more exalted plane than mere mortals. Book people are educated. They are privileged. They are brave enough to speak out when the emperor shows up naked. They sup on nectar from flowers grown on the sunny slopes of Mount Olympus, harvested by chiton-wearing MFA candidates." Jennifer Weiner responds to bad Amazon reviews, book blogs, and elitist " book people" in an essay for The New Republic. We especially enjoy the line about the chitons.
"In fact, I think Plath has turned out to be a much better poet than Hughes ever was. Of course he won all the prizes, and his name is on the stones in Poet’s Corner and OK, he’s pretty good, but not that good, whereas she gets better and better." Granta interviews the critic Al Alvarez, onetime friend of Sylvia Plath and Ted Hughes.
"But we are lured into believing that the first person is the manifestation of an authentic self. Or: we fall for the first person because we feel so little coherence in our own internal lives, and immersing ourselves in a sustained first person narrative gives us the false reassurance of an illusion."
Still deciding what to do this Friday night? Watch PBS's new documentary on Alice Walker, Alice Walker: Beauty in Truth, at 9 p.m. EST. At The Daily Beast, Agunda Okeyo discusses the history of the film's production, which took six years. "Stories about women of color told by women of color are sidelined and neglected in favor of our stories being told by white women and men," director Pratibha Parmar says.