We’ve recommended reading up on Jenny Zhang‘s Sour Heart before, this interview in Hazlitt is one of our favorites. “And maybe this is crude to talk about, it’s not even that I don’t want to write a memoir. Beyond that, do you understand how vulnerable it makes someone to call something nonfiction? Not just emotionally vulnerable but financially vulnerable, do you realize someone that makes $40,000 a year cannot be hit by a lawsuit by some angry ex who objected about a chapter about him? Some guy sees one line about him, missing thousands of lines not about him. That’s why celebrities are the ones who write memoirs.”
Non Fiction Takes a Certain Vulnerability
A Journal for the People
Recommended Reading: Zinzi Clemmons, one of the founders of Apogee Journal, on the importance of editors of color and inclusive literary journals.
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Madame Bovary Trailer Released
Just released: a trailer for an upcoming film adaptation of Madame Bovary starring Mia Wasikowska (Jane Eyre?). Pair with our review of Lydia Davis‘s 2010 translation of Flaubert‘s classic.
An Interview with Rilke
How would Rilke do in a job interview? Liz Blood took her best guess.
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“Women Essayists”
“Is This a Golden Age for Women Essayists?” Cheryl Strayed and Benjamin Moser debate in this week’s The New York Times‘s Bookends column. Pair their piece with Anne Boyd Rioux‘s Millions article examining gender equity and lack thereof in nonfiction writing.
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A Century of Cheever
Allan Gurganus commemorates the 100th anniversary of his teacher and friend John Cheever’s birth. “Cheever, now unfairly known as the gloomy, sodden satyr of suburbia,” Gurganus writes, “was at least rarely gloomy. Fact is he was more fun per minute than is legal in a nation this Republican.”
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Poetry!
At the recently re-launched Poems Out Loud site, you can see Stanley Kunitz talk about Gerard Manley Hopkins, and hear contemporary poets like Kim Addonizio read their own work.
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Living and Translating is Wearing Me Out
The premier English-language translator of modern Chinese fiction, Howard Goldblatt, says flatly that Western audiences don’t read Chinese books. However, with last year’s Nobel Prize win for Mo Yan (and the rave review his novel Pow! received in the Times), Goldblatt and other scholars are hoping that could change.
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