“[I]f your kid isn’t reading yet, he won’t know you’re gender-swapping Elliot the elephant.” Lifehacker considers how to get boys to read so-called “girls’ books,” i.e., enjoy books with both male and female protagonists. Pair with T.K. Dalton‘s consideration of gender, childrearing, and reading.
This week in news that’s almost impossible to believe: after an intense bidding war, the rights to David Grann’s upcoming book Killers of the Flower Moon were bought by Imperative Entertainment for a whopping five million dollars. All this for a nonfiction book that isn’t due out for well over a year. Killers of the Flower Moon tells the story of the investigation into the mysterious deaths of several Osage Indians in the 1920s, who were at the time some of the wealthiest people in the world. The case was one of the first ever worked by the FBI.
Gearing up for his forthcoming retrospective at the Tate Modern, Damien Hirst told the Guardian that he “still believe[s] art is more powerful than money.” This from the man whose tiger shark and formaldehyde sculpture “The Physical Impossibility of Death in the Mind of Someone Living” sold for $12 million– the figure that Don Thompson reports in The $12 Million Stuffed Shark.
“What makes a word ‘real’?” Should groan-inducing words like “adorkable” be counted? Anne Curzan, language historian, gives a Ted talk about the human element in dictionaries and the importance of slang.
“Save one life save the world, instructs the Talmud… You can’t save every life. You can’t save every book. But you can at least throw lifelines now and then.” Susan Coll writes for The Atlantic about the power of shelving and the importance of staying hopeful, no matter how gloomy publishing becomes.
My essay on Zadie Foster Franzenides and the current state of literary aesthetics is in this weekend’s New York Times Magazine.
If you can’t sit through a 20-minute reading, this one’s for you. Even Dostoevsky hated literary readings. As his narrator puts it, “Generally I have observed that at a light, public literary reading, even the biggest genius cannot occupy the public with himself for more than 20 minutes with impunity.” Pair with this Millions essay on the lively and maybe lost art of the literary reading.