“I just didn’t see the textual evidence for it. If Mark Twain wanted to make somebody black, he would make them black. He was not shy about dealing with matters of race.” For The New Yorker, Mythili G. Rao on the complicated backstory to the upcoming publication of The Purloining of Prince Oleomargarine, a “new” children’s book by Mark Twain. See also: our consideration of Twain’s self-deprecating travelogue The Innocents Abroad.
Max Axe here. I was seven years old when the Garbage Pail Kids debuted and quickly became all the rage, so news that this Garbage Pail Kids book – with an introduction by creator Art Spiegelman – is hitting bookstores now is transporting me back to my schoolyard days. (Also, how did I not know until now that Spiegelman was behind GPK?)
John Clare, “the peasant poet,” wrote wide-ranging poems on rural themes, distinguishing himself from his peers in the 19th-century literary scene in England. In 1830, in the midst of an episode of depression, he wrote a long polemic against the first-person pronoun, in the form of a letter to his friend Eliza Emmerson. In The Paris Review Daily, an excerpt of the letter.
Some heavy hitters out this week: Sweet Tooth by Ian McEwan; Dear Life, Alice Munro’s latest collection; Woes of the True Policeman by Roberto Bolaño; The Testament of Mary by Colm Tóibín; and Far From the Tree, Andrew Solomon’s massive follow-up to The Noonday Demon. Also out are My Ideal Bookshelf, in which figures from Judd Apatow to Jennifer Egan share about which books shaped them; Jon Meacham’s biography of Jefferson; 40 years of poems by Louise Glück; a new issue of McSweeney’s food mag Lucky Peach; debut The Heat of the Sun by David Rain, and She Loves Me Not, a new collection of stories by Ron Hansen.