Man Booker judge Colin Thubron expressed frustration with gushing book blurbs, which he says “almost blackmail” readers: “you’re either intellectually or morally incompetent if you don’t love this book or you’ve failed if you haven’t understood it.” Our own Bill Morris tackled the age old question—”To Blurb or not Blurb”—a few years ago.
Are Book Blurbs Helpful or Harmful?
Cinderella, as Told by Rebecca Solnit
Rebecca Solnit gives the classic and rather dated tale of Cinderella an empowered, nuanced update that examines cultural myths about measures of prosperity.
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Emily St. John Mandel on the Cyclical Nature of Pandemics
Our own Emily St. John Mandel on her 2014 novel: "I think the unfortunate reality is that every few years Station Eleven will seem horribly relevant."
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Paula Fox
Paula Fox, celebrated novelist and winner of the 1983 National Book Award (among other honors), died this week. Contributing to our Year in Reading series two years ago, Parul Sehgal said she couldn’t stop rereading Desperate Characters, perhaps Fox’s most popular book for adults. “It’s really a wallop of a book,” Sehgal wrote. “A barbed portrait of a marriage, not to mention a brilliant take on gentrification, white fears of black and brown people, the hostile insularity of the nuclear family, and how power reproduces and how power conceals itself.” (Bonus: Dominic Smith wants to send a scene from that novel into space.)
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Do Books Make Friendships?
Do friendships form because of shared interests, or do those interests develop due to the friendship? Facebook reveals that music and film make friendships; books, not so much.
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Beware of the Gatekeepers
“The problem, however, lies in the fact that, whenever these labels are internalized by those in positions of power, they flatten a writer’s experiences. They shrink someone to just a sliver of his or her identity.” On the limited opportunities for writers of color.
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The Kirkus Is Back in Town
The recipients of the 2016 Kirkus Prize have been announced, among them the novel The Sport of Kings by C. E. Morgan and In the Darkroom by Susan Faludi, a meditation on her father’s gender transition, in the non-fiction category. We reviewed two of the other fiction finalists this year: Carousel Court (here) and The Underground Railroad (here).
I don’t really “mind” blurbs, unless the publisher thinks they’re more important than telling me what the book’s about. Nothing worse than flipping the book over to see what it’s about and ONLY finding what other people think of the book–except having 2-3 pages’ worth in the front of the book, to boot (again without the typical 2-3 paragraph teaser-excerpt).