Man Booker judge Colin Thubron expressed frustration with gushing book blurbs, which he says “almost blackmail” readers: “you’re either intellectually or morally incompetent if you don’t love this book or you’ve failed if you haven’t understood it.” Our own Bill Morris tackled the age old question—”To Blurb or not Blurb”—a few years ago.
Are Book Blurbs Helpful or Harmful?
Silence, Please
For everyone who believes that “being out and reading is better than staying home and planning to read,” The New Yorker‘s Andrea Denhoed may have found just the thing: silent reading parties.
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BW on Borders
Two months after the last Borders store closed its doors, Business Week takes an in depth look at the reasons for its demise.
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Thirteen Poems
Check out thirteen poems by Lydia Davis in BOMB Magazine. You could also read Adam Boffa’s piece about Davis’s work and Twitter.
Hors de Texte
I would like to nominate Sam Anderson’s riff on Roland Barthes’s Mythologies for the best lede ever. I would also like to order a tee shirt for a faux boy band composed of Lacan, Derrida, Barthes and Foucault.
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Once Upon a Time In Japan
You will not want to miss this possibly true ghost story from David Mitchell over at LitHub. This piece comes from the first installment of Freeman’s, which is out now, and which includes such fantastic writers as Mitchell, Haruki Murakami, and Louise Erdrich.
40 Towns, An Experiment in Literary Journalism
Jeff Sharlet had a challenge for his creative nonfiction students at Dartmouth College. Sensing that journalism had become too “dull,” too mired in a “culture of professionalism” divided “between reporting and ‘storytelling,’” Sharlet asked his students who didn’t “know [any] better” to create a magazine of their own. The result, 40 Towns, embraces “the right conditions” of literary creation – immersion, journalism, regionalism and “a term of revision” – to present a “collection of documents, artifacts of real life” about the Upper Valley.
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I don’t really “mind” blurbs, unless the publisher thinks they’re more important than telling me what the book’s about. Nothing worse than flipping the book over to see what it’s about and ONLY finding what other people think of the book–except having 2-3 pages’ worth in the front of the book, to boot (again without the typical 2-3 paragraph teaser-excerpt).