“You can only advocate for yourself when you know what it is you want from the experience. You’d be surprised by how many people go into this process and are unclear about what they hope to get out of it.” Over at the Amazon Author Insights blog, Katrin Schumann offers a checklist of seven tips to survive submitting your writing to editors, including this note about articulating your goals beforehand. (Ed. note: Amazon helps us pay the bills around here!)
You Will Survive
To Go Boldly? What?
There are times when it’s a bad idea to wantonly split an infinitive. But there are other times, grammar Nazis, when it’s really okay to chill out.
Take a Look at Cormac McCarthy’s Screenplay
The New Yorker has a sneak peek at some scenes Cormac McCarthy wrote for the forthcoming Ridley Scott film, The Counsellor.
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No Fake Readers
“An appreciation of readers as diverse individuals with different tastes should be a basic tenet of criticism. Instead, it’s common for critics to imagine that their aesthetic preferences are the reflections of “readers” or a special class of readers—“serious readers,” “imaginative readers,” “brave readers,” or some other ill-defined category—whose views truly matter.” Lincoln Michel explains why “there’s no such thing as a fake reader” in an essay for Electric Literature.
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“You will only ever need two good outfits.”
Fellow young people! Do you yearn to be a writer? Are you looking for advice? Well, The Guardians author Sarah Manguso has tons to give.
BOMBlog Double
Two fantastic interviews are up on BOMB Magazine‘s BOMBlog: In the first, Millions contributor Matt Jakubowski speaks with Shards author Ismet Prcic, and in the second, Swamplandia! author Karen Russell does a Q&A for San Francisco’s Litquake.
How and How Not to View Africa
Mama Hope, a group that works with local African organizations “to connect them with the resources required to transform their own communities,” has released a great promo featuring four young men who are tired of Hollywood’s African stereotypes. Their complaints are reminiscent of those enumerated in Binyavanga Wainaina’s classic essay “How to Write about Africa,” and also in Laura Seay’s great article from last week, “How Not to Write About Africa.”