Out this week: Home Fire by Kamila Shamsie; The Future Won’t Be Long by Jarett Kobek; How to Behave in a Crowd by Camille Bordas; The World Broke in Two by Bill Goldstein; A Kind of Freedom by Margaret Wilkerson Sexton; Things That Happened Before the Earthquake by Chiara Barzini; and The Mountain by Paul Yoon. For more on these and other new titles, go read our most recent book preview.
The Missouri Review interview with Jessa Crispin, founder of Bookslut. If you’ve yet to stumble upon the decade old literary blog, you might want to start with this recent post from Kevin Frazier on Edith Wharton and Julian Barnes. Or this treat from the archives about Monica McFawn Robinson trying to construct an undergraduate course syllabus on love.
The National Rifle Association is featuring a series of reimagined fairy tales on their website. The only difference? Way more guns. In the debut story, Hansel and Gretel don’t bemoan their lack of food since they had been taught from birth to hunt with guns for sustenance. No, it’s not yet April Fools’ Day.
New this week: The Tusk That Did the Damage by Tania James; B & Me: A True Story of Literary Arousal by J.C. Hallman; The Dream of My Return by Horacio Castellanos Moya; The Last Word by Hanif Kureishi; A Little Life by Hanya Yanagihara; and The Discreet Hero by Nobel laureate Mario Vargas Llosa. For more on these and other new titles, check out our Great 2015 Book Preview.
Two French novelists, two books about dead babies: Literary cat fight, canny PR scheme, or “psychological plagiarism”? Read all about the literary feud that’s captivating France here.
At The Nervous Breakdown, an excerpt of Still Writing, the new book by Year in Reading alum Dani Shapiro. The excerpt comes on the heels of one of the site’s trademark self-interviews, in which the author laments of herself as interviewer, “You don’t pull any punches, do you?” (Related: our own Hannah Gersen talked with Shapiro about her book.)
Those of you with brothers or sisters will not be surprised to learn that siblings who are both writers tend to be a wee bit competitive. In a piece for the Poetry Foundation, Casey N. Cep runs through a few famous examples, among them the Bröntes, the Wordsworths and Charles and Mary Lamb. (h/t Arts and Letters Daily)