“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we’re on the subject , here’s what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.
“I couldn’t help but feel that technology had circled back to some of its earliest purposes: broadcasting anti-black violence as widely as possible, as both entertainment and warning.” Our own Ismail Muhammad writes for Real Life about the tension between bearing witness and perpetuating paradigms of white supremacy while on the web. And if you haven’t yet read it, do spend some time with this review of Nate Marshall‘s Wild Hundreds, which provides some fortification.
Not every worthy book finds the audience it deserves as quickly as Edan Lepucki’s California. John Warner writes about the long aftermath of finding his debut, The Funny Man, featured in our 2011 Most Anticipated Book Preview: “I wondered, what if? Maybe this was going to be the next phase of my life, and when people asked me what I did, I’d say that I wrote novels.” His new collection of short stories is Tough Day for the Army.
Penguin released a book trailer for the newest Thomas Pynchon novel in which a guy in a T-shirt that reads “I’m Pynchon” stands on a rooftop on the “Yupper” West Side and talks about his life. (To find out why I used the term “Yupper,” check out the recent New York mag piece on Pynchon that I wrote about last week.)