“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we’re on the subject , here’s what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.
"Storytelling is an indispensable human preoccupation, as important to us all—almost—as breathing. From the mythical campfire tale to its explosion in the post-television age, it dominates our lives. It behooves us then to try and understand it." On the inherent sameness of stories with John Yorke from The Atlantic.
Buzzfeed interviews Naomi Alderman author of The Power, a 2016 book receiving heightened attention this year for its timely feminist premise. "In the book, women develop the ability to electrocute people at will, and as the dynamic between the genders shifts after centuries of oppression, women (finally) begin to take control back from men." Why all the newfound attention? Alderman believes that it's due to the subject matter and it being released in the States. 'It’s only just been published in America and some American reviewers have responded to it as if it was written in response to Donald Trump, but in fact no, it was written before that. I think some of the things in the world have not changed and that is why you can mistake it for having been written yesterday.' But she adds: 'I think actually one thing that has really changed is that women are really fucking angry.'"
It's 2014, but we still don't have self-driving cars despite Isaac Asimov's predictions. In 1964, Asimov contemplated what the world would be like 50 years later. He was fairly accurate according to David Wogan at Scientific American. "Asimov got a lot right...about how technology keeps advancing at a rapid clip, freeing humans from mundane and routine tasks. It’s the Google-fication of everything."
The New York Times Magazine profiles Emily Wilson, the first woman to translate the Odyssey into English. Her translation is one of our most eagerly anticipated for November. "One way of talking about Wilson’s translation of the “Odyssey” is to say that it makes a sustained campaign against that species of scholarly shortsightedness: finding equivalents in English that allow the terms she is choosing to do the same work as the original words, even if the English words are not, according to a Greek lexicon, 'correct.'"
Alex Stone reviews Guns N’ Roses founding member Duff McKagan’s memoir, It’s So Easy. It’s a book, Stone writes, that’s “intoxicating — in a pancreas-wrenching sort of way.” Bonus: McKagan’s Year in Reading for our site back in 2011.
What happens when you put one of the biggest literary egos together with music's biggest ego? A movie. Bret Easton Ellis is working with Kanye West on a film. "He came and asked me to write the film," Ellis told Vice. "I didn't want to at first. Then I listened to Yeezus...I thought, regardless of whether I'm right for this project, I want to work with whoever made this." This is an interesting pairing because Kanye definitely isn't a reader.