“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we’re on the subject , here’s what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.
To Save a Draft
The Dungeon Master
Sam Lipsyte’s short story on role-playing games, “The Dungeon Master,” is up at the New Yorker: “The Dungeon Master has detention. We wait at his house by the county road. The Dungeon Master’s little brother Marco puts out corn chips and orange soda.”
The Perils of Contact
The Perils of ‘Contact Me’: in an essay in the New York Times, Ben Yagoda wonders whether authors have made themselves too accessible to readers.
A6: Edith Wharton
At some point, you’ve probably had a daydream about a vending machine that sells books. Well, guess what. (There’s also a video guide.) (Thanks, Andrew)
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Perilous Trips
“To be a Patrick Leigh Fermor, a Colin Thubron, a Norman Douglas or Paul Theroux, requires always saying yes. To not-get-raped, according to every lesson I – and so many other women – have been taught, so often requires saying no.” On the paradox of being a women and a travel writer.
People of the Opposite Sex, Am I Right?
The Atlantic has launched a new section — The Sexes — that deals with issues of gender.
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Dispatch from Brazil
Recommended Reading: Selections from the forthcoming Women Writing Brazil issue of PEN America’s Glossolalia.
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Dear Diary
Lena Dunham’s next book looks to be every bit as divisive as her first. The chapbook, Is It Evil Not To Be Sure?, is a collection of Dunham’s college diaries from 2005 to 2006 — or basically, that recurring nightmare you have that somebody might find and read your journal.
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He Started It
Those of you with brothers or sisters will not be surprised to learn that siblings who are both writers tend to be a wee bit competitive. In a piece for the Poetry Foundation, Casey N. Cep runs through a few famous examples, among them the Bröntes, the Wordsworths and Charles and Mary Lamb. (h/t Arts and Letters Daily)