“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we’re on the subject , here’s what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.
"There’s a deep tendency in our society to view mainstream status quo literature as having no politics, which is completely untrue. It has a very strong political value; it just happens to be conservative." Junot Díaz drops some knowledge in an interview with Vox. Pair with his Millions Interview from a few years back.
The headliners this week are on the non-fiction side: Michael Pollan's Cooked and Let's Explore Diabetes with Owls by David Sedaris. Also new in non-fiction: Top of the Morning: Inside the Cutthroat World of Morning TV by the Times' Brian Stelter and Daily Rituals: How Artists Work by Mason Currey. In fiction: The Humanity Project by Jean Thompson, The Pink Hotel by Anna Stothard, Paris by Edward Rutherfurd, The Golem and the Jinni by Helene Wecker, and The Enchanted Life of Adam Hope by Rhonda Riley.
"In Go Home! — a collection that feels particularly timely in the midst of attacks on immigrant families and communities — Asian diasporic writers are both thoughtful and generous in their reflections about who they are, where they have been, and where they belong." For Shondaland, Nicole Chung interviewed Rowan Hisayo Buchanan, the anthology's editor, and a few contributors (including Alexander Chee, Karissa Chen, T Kira Madden, and Esmé Weijun Wang) about what home means to them. Pair with: our review of Chee's The Queen of the Night and Wang's 2016 Year in Reading entry.