It’s been another long week. Lighten the crush of news with The Guardian‘s literary quiz, in which you match the house to the writer/book it inspired. And once you’ve gotten your score, perhaps take a vicarious tour of the House of Brontë?
“When I was 16 years old, some of my brothers and sisters and cousins [were] going down to the public library trying to get public library cards, and we were told the library was for whites only, not for coloreds. To come here and receive this award this honor is too much. Thank you.” Representative John Lewis upon receiving the National Book Award for volume three of his graphic memoir March, which documents Lewis’s role in the civil rights movement.
In the Boston Review, Jess Row wades – slowly, interestingly, not always coherently – into the perpetually roiling waters of Theory of the Novel, taking on the canon wars, realism vs. the avant-garde, etc. Is it really “a safe bet that your average well-informed critic today has never read a single work of criticism by a writer of color?” Probably not, even granting Row’s exception. But possibly worth arguing about. If you like that sort of thing.
The Poetry Archive: “The Poetry Archive is the world’s premier online collection of recordings of poets reading their work. You can enjoy listening here, free of charge, to the voices of contemporary English-language poets and of poets from the past.”A few days ago the New York Times released its usual 100 book “Notable” list, but now we get the really good stuff: the Times top ten of the year. The big surprise: an appearance by Curtis Sittenfeld’s “calm and memorably incisive first novel,” Prep.Scott and Ed and others have already noted this, but I just got around to reading it: the NYRB piece on our latest National Book Award winner, William T. Vollmann.Also noted by many litblogs, the ever-multitasking Bud has launched a sleek litblog network/aggregator/community: MetaxuCafe. Very cool.