“Sandberg does not mention pleasure. Sandberg assumes instead that the feminist question is simply, how can I be a more successful worker?…Sandberg has penned not so much a new Feminine Mystique as an updated Protestant Ethic and the Spirit of Capitalism.” At Dissent, Kate Losse, herself a former Facebook employee, critiques Sheryl Sandberg’s new and controversial Lean In.
Does love “crack [your] sternum open” or is love like the “mystery of water and a star?” Is your soul “an empty carousel at sunset?” Are you an only child? I ask because these – along with several other questions – will help Farrar, Straus, and Giroux determine once and for all: “Which Poet Are You?”
“João Gilberto Noll frustrates attempts to foresee the plot or to craft stories as they are traditionally understood and written. The series of events that appear in them are as tenuously linked into a broader narrative as those of a dream.” An interview with Noll translator Adam Morris.
“I can tell you that it was his agent who thought it was a bad idea, when the book was first published, to have a black hero.” Roald Dahl‘s widow says that he intended for the eponymous hero of Charlie and the Chocolate Factory to be “a little black boy.” Pair with our own Jacob Lambert‘s fond recollection of reading Dahl to his son.