“[C]hildren often prefer the factual over the fantastical. And a growing body of work suggests that when it comes to storybooks, they also learn better from stories that are realistic. For example, preschool-aged children are more likely to learn new facts about animals when the animals are portrayed realistically as opposed to anthropomorphically.” Two new studies suggest that where learning is concerned, realism trumps fantasy in children’s books. Which is as good a time as any to ask our own Jacob Lambert‘s question: Are picture books leading our children astray?
Rabbit Run
Tuesday New Release Day: Davies; Koch; Roy; Cardenas; Butler; O’Neil; McWhorter; le Carré; Shetterly; Boggs; Hochschild; Foer
Out this week: The Fortunes by Peter Ho Davies; Dear Mr. M by Herman Koch; Sleeping on Jupiter by Anuradha Roy; The Revolutionaries Try Again by Mauro Javier Cardenas; Perfume River by Robert Olen Butler; Weapons of Math Destruction by Cathy O’Neil; Words on the Move by John McWhorter; The Pigeon Tunnel by John le Carré; Hidden Figures by Margot Lee Shetterly; The Art of Waiting by Belle Boggs; Strangers in Their Own Land by Arlie Russell Hochschild; and Here I Am by Jonathan Safran Foer. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Lish’s Legacy
Gordon Lish is famous for being Raymond Carver’s very involved editor, but his work has never been thoroughly considered before. David Winters, Greg Gerke, and Jason Lucarelli have set out to change that with a roundtable discussion of Lish’s legacy. “What can we learn from Lish? Well, we can take away a set of techniques, to be sure; ‘rules,’ if rules are useful to us. But we can also salvage something that looks almost lost in our time: a sense of the real, lived stakes of writing, its risks and its rewards.”
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J. D. Salinger’s Best Unpublished Stories
Writing for Airship Daily, Freddie Moore provides an overview of ten of her favorite unpublished J. D. Salinger stories. She also shares instructions on how to find – while being careful not to link directly toward – a “207-page trove of 22 out-of-print pieces available online.” This is for the best, considering the relationship between the Catcher in the Rye author, his unpublished works, and U.S. copyright.
Bad Yet Vital
As you may have heard from our own Bill Morris, The Canyons, the new movie starring James Deen and Lindsey Lohan, is a bad film that somehow manages to be worth watching anyway. At the LARB, Naomi Fry agrees with this assessment, arguing that the film is important because it “identifies how desperately many of us still want to believe that the larger-than-life, commodified good life is still available to us.”
First Novel Prize Longlist
The Center for Fiction has released the longlist for the First Novel Prize. The Girls by Emma Cline (see our review) and What Belongs to You by Garth Greenwell (see our review) are among the novels to make the cut.
Melatonin, Menthol Lights, Jungle Gyms
At Trickhouse‘s Back Room, Ian Ganassi lists life’s essentials, along with a few I could do without.
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….ok but isn’t this “learn new facts about animals when the animals are portrayed” a sort of syllogism? Facts in the context of what the study purports appear to be of the strictly scientific (aka realist) variety. Realistically, none of the animals in the children’s book would speak thus any fable-type children’s book, strictly adhering to the logic of the argument, would devolve into a textfree, photorealistic portrayal of animals. To be fair, it seems highly implausible that such a children’s book [though the term naturalistic wildlife photo-story would seem more apt] would be able to convey any sort of moral content characteristic of primary socialization. In other words, while children’s zoological, biological and even botanical knowledge might experience an uptick, they would be deprived of the very cultural essence of what fables are about. …which in turn seems very much in line w the neolib ideal of producing technocratic factoid-mongers….