“[C]hildren often prefer the factual over the fantastical. And a growing body of work suggests that when it comes to storybooks, they also learn better from stories that are realistic. For example, preschool-aged children are more likely to learn new facts about animals when the animals are portrayed realistically as opposed to anthropomorphically.” Two new studies suggest that where learning is concerned, realism trumps fantasy in children’s books. Which is as good a time as any to ask our own Jacob Lambert‘s question: Are picture books leading our children astray?
This summer Antosha Chekhonte’s (aka Anton Chekhov‘s) first book The Prank will finally be published after more than 130 years of waiting, and it’s been described as “frankly indispensable for readers of Chekhov, or Russian literature, or comedic literature, or parody, or any and all literature” generally. Pair with our own Sonya Chung‘s essay, “I Heart Chekhov.”
“Hill had maintained a daily writing routine since age 13, completing four or five books as a teen and four more as an adult, and was now, at the cusp of 35, finally putting out a novel—a ghost story.” GQ profiles Joe Hill about his writing, being the son of Stephen King, and finding success in his own right. From our archives: our own editor Lydia Kiesling‘s essay on King, nostalgia, and America.
“Over three decades of almost constant composing and recording, he would amass over sixty LPs, running the gamut from early records with his band the Mothers of Invention that helped to create the milieu we think of as the Sixties, to caustic send-ups of that same counterculture, doo-wop pastiche, tape cut-ups, film scores, gonzo cabaret, big-band charts, way out prog, show tunes, music composed entirely on and for the Synclavier digital sampler, full-score orchestral music, and thousands of scabrous, exploratory guitar solos.” On Frank Zappa, music theory wizard and occasional public intellectual.