“[S]he and her sister should not be affected by the riot. Riots like this were what she read about in newspapers. Riots like this were what happened to other people.” The Guardian runs ‘A Private Experience,’ a short story from Year-in-Reading alum Chimamanda Ngozi Adichie.
A Public Private Experience
The Well
Anne Fernald writes about getting deep into her research: “Peering down isn’t enough, however. If you want to find the treasure that lies beneath the surface, you have to dive down into the well.”
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Tough Broads
“The rest of the morning went like that. We did synchronized clapping. We did active listening. We did a role-play exercise in which I was a girl waiting for a bus and Karloff was a masher, but when I started flirting back, she didn’t like it. I got four more cups of coffee and felt brokenhearted when my bottle gave up its last drop.” Philip Marlowe attends a court-mandated women’s studies workshop.
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First Draft of Infinite Jest
“Behind every great work, there is an ink-stained piece of notebook paper.” Here is the first page of a handwritten draft of Infinite Jest.
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Crime and Punishment and Singing
Fyodor Dostoevsky‘s Crime and Punishment is getting the musical treatment, and though “it does not seem the most likely candidate to provide musical fun for all the family” for a long list of reasons – “heavy drinking, prostitution, a double axe murder and hours of psychological torment” – we’re already planning our trips to Moscow for the premier. This is also a good opportunity to revisit the debate over who’s greater, Dostoevsky or Tolstoy?
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DFW Details
Craig Fehrman digs up and posts the Details‘ 1996 profile of David Foster Wallace that is mentioned a few times in Although Of Course You End Up Becoming Yourself but has until now not been available online.
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Rejection Romanticized
Recommended Reading: Kavita Das on why writers shouldn’t romanticize rejection. “Not only is it harder for writers of color to get published, but when rejecting our work, publishers tell us that what we’re writing about is too narrow and niche and won’t appeal to mainstream audiences.” Our own Bill Morris writes about the sorry state of rejection letters and literary magazine editors take your questions about them.
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This story was published 9 years ago!