What is the personal essay, and where could it go from here? In The Boston Review, Merve Emre traces two paths.
Me and Myself
Goodbye, Friday Night Lights
It’s been one week since the “Friday Night Lights” finale aired on network television, and it seems as though the entire internet is grieving. Two Grantland pieces: an oral history and a tongue-in-cheek analysis; an opinion piece juxtaposing Peter Berg‘s low-rated drama against “Glee”‘s success; and now even The Paris Review has thrown its hat into the ring. All of this, of course, comes on the heels of our own Sonya Chung‘s piece last April.
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Summer Reads; Southern Reads
For me, the call of Southern literature comes strongest in the dog days of summer, when the days are long and when the sun is burning. This year, it seems that the literary community has taken note: five representatives from the region’s “great independent bookstores” have gotten together to recommend the Southern books they’re craziest about this year.
Seriously, Read This Book
Lev Grossman is ready to dub John Jeremiah Sullivan, author of Blood-Horses and, more recently, Pulphead, “the next Tom Wolfe,” and NPR‘s Dan Kois agrees that he might be “the best magazine writer around.” Elsewhere, Zach Baron writes an interesting profile of the author for The Daily.
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Films About Writers
“There are a lot of bad movies about writers out there,” but Flavorwire has ranked the 50 best, ranging from Sylvia to The Hours to Adaptation.
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Poetry and Ouija
On life, love, poetry and Ouija: the New Yorker profiles the life and work of James Merrill.