“[P]ublishing is a behemoth that is trudging along slowly in the direction of progress. But it still has a long way to go.” GQ editor and Year-in-Reading alum Kevin Nguyen gets the interview treatment from Poets & Writers (and gives a few shout-outs to us while he’s at it!). Among the books he’s read in the last year that stood out: “White Tears by Hari Kunzru by a mile.”
Coincident with the release of her new novel, Marie-Helene Bertino published an excerpt in the latest issue of Granta. It features, among other things, a character using the phrase “better-him-than-me kind of park.” You could also read Bertino’s interview with Jessica Gross, which followed the publication of her debut book of short stories.
Over at Aeon, Alana Massey writes about memory and how the internet archives personal data. In her own words, “Because the archiving technology captures only snapshots of a site at a given time, results might not be an exact replica of the site as it was. As I learned from the fragments of our site, things such as embedded media might be missing and scripts are unlikely to work. After all, a toy boat is hardly its former self after a lifetime at the bottom of the sea. No matter how intact an archive, it can never fully reconstruct the texture and completeness of the original memory.”
The Rake takes note of the New Yorker’s particularly dark reading of Goodnight Moon.Iain Hollingshead gamely responds to being awarded the “Literary Review Bad Sex in Fiction Award” for his debut novel Twentysomething, which included such turns of phrase as “everything is pure white as we’re lost in a commotion of grunts and squeaks.”With a few celebs getting in trouble for racist outbursts this year Malcolm Gladwell (ever thoughtful) comes up with a way to figure out who’s really being offensive and who’s just dumb.Maud points to a new blog from one of my favorite publishers, NYRB Press.Dozens of year end-lists floating around here and elsewhere, but I always take special note of Jonathan Yardley’s year-end column because it is always thoughtful and sometimes surprising.To do (as soon as I have the time): listen to the Bat Segundo Show that features Edward P. Jones.
“The Goldfinch is a grand nineteenth-century novel in that it is an 800-page chronicle of capitalism, a paean to the ways in which the world turns on the questions of who can or can’t pay for what, and how these abilities and inabilities mold us over time. Like the life events and relationships it depicts, it purports to be about love but is actually about money. This portrayal of twentieth century North American society is accurate, but also, just as in life, both exhausting and demoralizing.” On Donna Tartt’s latest novel. (You could also read Adam Dalva’s take on the book.)
Even if you’ve already seen the outstanding documentary Wordplay, you’ll still want to check out this Atlantic article on how Will Shortz makes his New York Times crossword puzzles.