“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.
In a Fugue State
Salinger Snaffu
If J.D. Salinger had it his way, we would all probably be dead by the time we got to read his unpublished works. However, someone leaked scans of a paperback entitled Three Stories, including the Catcher in the Rye precursor, “The Ocean Full of Bowling Balls,” on eBay on Wednesday. You can view the PDF here.
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Tell Me Something New
Recommended Listening: Part One of Jhumpa Lahiri’s conversation with Paul Holdengraber at Lit Hub. “You know, tell me about something I don’t know. Tell me about a musician I’ve never heard of. Tell me about a poet I should be reading. Tell me something about the world, a situation that someone can explain to me in more detail.”
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Seriously, What’s With Those Geese?
Here’s a Sunday poem by Elisa Gabbert. Maybe its first line will entice you: “What’s with these geese always wandering / around by the museum?”
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Art For Free
This past week, The Guggenheim made 65 art catalogs available online. Open Culture‘s Dan Colman has written a “few handy instructions” to guide you through the treasure trove of records.
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Accepting Rejection
Rejection is a part of growth. Kim Liao argues why writers should aim for one hundred rejections a year. To prepare for your one hundred rejections, let literary magazine editors tell you their thoughts on rejection letters.
Keeping Present the Forgotten
Recommended reading: The Believer interviews Claudia Rankine about Citizen: An American Lyric, the relationship between art and literature and the importance of “keeping present the forgotten bodies.”
Pre-Detective
Need more than just a hashtag to get ready for the new season of True Detective? Tom Nolan is here to help. At Salon, Scott Timberg interviews the biographer of Ross Macdonald, a crime fiction writer whose mysteries tackled the underbelly of California. You might want to read the new collection of Ross’s novels, or else our list of crime novels where women are the detectives.
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The Materialist
Object narrative (n): a story told through meditations on various physical objects. Examples include Edmund de Waal’s The Hare with Amber Eyes; Neil MacGregor’s A History of the World in 100 Objects; and Paula Byrne’s The Real Jane Austen: A Life in Small Things.
Misprint: Nabokov
Thanks Robin! Corrected.
Anthony Burgess accomplished that feat.
Beamish!
Well-read you are! I went off AB but 15 years ago I read (and owned) almost every novel (and a few books more) he’d written. Something in Earthly Powers irritated me and the spell was broken… and I must admit I never finished “Napoleon Symphony” (is that the book, or one of the books, you mean?), which was slyly… embarrassingly? dedicated to Kubrick. The problem with AB’s “musical writing” (that is, writing prose to mimic musical effects): you can’t really produce parallel constructions, for the reader, in Lit… there’s no polyphony. You have to make do with Gregorian chants!