“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.
A committee headed by the author Tracy Chevalier this week unveiled the lineup of twenty-five specially printed titles which will be distributed by thousands of volunteers across the UK on April 23, 2012 as part of an international celebration of reading.
As literary genres go, bathroom graffiti ranks somewhere between obscenities carved into desks and poorly spelled comments in terms of respectability. Yet it’s still a form that could reveal interesting things, which is why a group of researchers took a series of fact-finding trips to public stalls across America. Their takeaway? “The mere fact of being in a public bathroom could be skewing how people choose to present themselves when they uncap that Sharpie.” Related: Buzz Poole on The History of American Graffiti.
It’s been one week since the “Friday Night Lights” finale aired on network television, and it seems as though the entire internet is grieving. Two Grantland pieces: an oral history and a tongue-in-cheek analysis; an opinion piece juxtaposing Peter Berg‘s low-rated drama against “Glee”‘s success; and now even The Paris Review has thrown its hat into the ring. All of this, of course, comes on the heels of our own Sonya Chung‘s piece last April.