“Do something. In the face of hatred, apathy will be interpreted as acceptance by the perpetrators, the public and — worse — the victims. Community members must take action; if we don’t, hate persists.” The always amazing Southern Poverty Law Center has put together “Ten Ways to Fight Hate: A Community Response Guide.”
Out this week: Can’t and Won’t by Lydia Davis; What Would Lynne Tillman Do by Lynne Tillman; In Paradise by the late Peter Matthiessen; Family Life by Akhil Sharma; Talking to Ourselves by Andrés Neuman; I Pity the Poor Immigrant by Zachary Lazar; The Opposite of Loneliness by Marina Keegan; The Plover by Adam Doyle; The Word Exchange by Alena Graedon; and a new biography of John Updike by Adam Begley.
Don’t miss Jon Cotner‘s “Poem Forest” at the NY Botanical Gardens Nov 4-5 and Nov 11-12, 12-4:30. It’s a self-guided tour that promises “a new kind of poetry experience, as well as a new kind of walking experience. Poet-walker Jon Cotner has fused lines selected from 2500 years of nature poetry with Thain Forest’s autumnal landscape.” Details at the Poetry Society of America.
Over at The Literary Hub, real-life writer Anthony Marra has conducted a hilarious interview with Dana Schwartz, the creative mind behind everyone’s favorite–if uncomfortably familiar–Twitter account, @GuyInYourMFA. Here’s the New York Times review of Marra’s latest novel, The Tsar of Love and Techno.
There are many possible answers to the question “where do you write?”, but one of the strangest, and most unexpected, has to be “I don’t know.” At The Rumpus, Brendan Constantine admits that he doesn’t write in any one place, and that his memory for where he’s written before is “completely unreliable.” We surveyed our own staff a couple years ago to see how they answered the question.
Looking for a new literary magazine to submit to? Check out Midnight Breakfast. The Rumpus’s Rebecca Rubenstein edits the online free literary magazine, which is looking for fiction, nonfiction, interviews, and art that will “spark a conversation.” The first issue includes a Jason Diamond coming-of-age essay and a short story by Matthew Salesses.