“if I am going to set a novel in a real place, in a real time, I must get all the details right. I should not put a wall around Washington Square, start the Iraq War in 2005, or claim that maple trees bear acorns. This matters because it has to do with keeping faith with your readers. If you get something verifiable wrong, why should they believe you when you really are making things up?” Helen Benedict for Amazon Author Insights on finding the balance between research and imagination when writing fiction. (Full disclosure, Amazon helps us pay the bills around here!)
As e-books gain market share, publishers are gussying up book designs. Free Press vice president and publisher Martha K. Levin says, “the message [is] that even if you’re buying 90 percent of your books on your e-reader, this is the one that you want to have on your bookshelf.” The article highlights 1Q84 as an example of a successfully well-designed physical object, but if you haven’t seen a copy, check out Chip Kidd’s discussion of his work on the book.
In the run-up to the Egyptian elections, writers and booksellers discuss the military clampdown following Mubarak’s fall.
If you like comic books, diverse characters and / or our recent article on Gene Luen Yang, pay close attention to the internet on Monday afternoon. Yang will be part of a Google Hangout on the 4th to talk about his book Boxers & Saints with a reporter TIME for Kids and BookUp, two outlets for young readers, and the chat can be streamed live beginning at 2pm EST.
This month the Cleveland International Film Festival will show Dear Mr. Watterson, a film exploring “how … a simple comic strip became so meaningful to such a massive and diverse group of people.” Yet despite the subject matter, the actual author of the Calvin and Hobbes series will almost certainly be absent from the screenings. Over at Full Stop, Liv Combe looks at the ways Bill Watterson is “keeping the idea of the private public figure alive.”