Planning to attend this Saturday’s National Book Festival in Washington, D.C.? The Washington Post has provided five sample itineraries. And for an entirely different, vicarious trip, revisit Mythili G. Rao‘s account of visiting the Jaipur Literature Festival a few years back: “To voice their disapproval of the circumstances of Salman Rushdie’s absence, four writers read from The Satanic Verses — a book that has been banned in India. They were advised to leave. What kind of real intellectual discussion could go on in a setting that had proved itself so hospitable to self-censorship?”
“…a range of products appeared on the market carrying Pushkin’s image to the masses – cigarettes, matches, candy, pens, stationery, inkstands, liqueur, knives, watches, vases, cups, shoes, dresses, lamps, fans and perfumes. There was even a board game called ‘Pushkin’s Duel.'” The omnipresent cultural status of Pushkin in Russia.
Here’s a treat for those of us occupying the center of a Venn Diagram depicting “college football” and “literature” circles: Holly Anderson has written a high school football scouting report for Daisy Miller… in the style of Henry James.
“I take to heart Percival Everett’s point that all writing begins as experiment. Experiments are hypo/theses; wagers; fermentations or useless admixtures; mud pies and blood pies.” Miranda Mellis talks with HTMLGiant’s Christopher Higgs in the next installment of Higgs’s essential “What Is Experimental Literature?” interview series. It’s worth perusing the the back catalog if you missed the first three, with the fabulous Debra Di Blasi, Danielle Dutton, and Bhanu Kapil.
“(The Great Gatsby) is often considered the greatest American novel of the 20th century—I waver on that sometimes but I love the beauty of its writing, its tabloid immediacy, the high body count, its modernistic touches, the relentless drama put into its novella-length form.” Bret Easton Ellis’s top ten favorite books doesn’t include many surprises, but it’s worth a look.
The Skinny is acclaimed author Susan Orlean’s strangest work, hands down: a half-serious diet book that advises women, among other things, to cover tempting food with bleach. Not one to follow her own advice, Orlean’s diary of a week of eating for Grub Street features yogurt breakfasts, crackers eaten over sinks, and other basically realistic, bleach-free culinary adventures.