“I mostly find it sad. I understand that super religious people would not be there supporting it, but to go the extra mile to fight it when you could just not come kinda shocked me!” The Huffington Post reports on Brandon James, a drag performer whose plans to read to kids about acceptance at a North Carolina public library were scuttled after some of its patrons complained. We suppose the march of progress is never neat (via Book Riot).
“Sometimes I think I’ve lost my nerve a little bit. I think it’s growing older, and a certain reservoir of anger literally runs out.” The Guardian interviews James Wood, author and book critic at The New Yorker, about his craft, his forthcoming novel Upstate, and the landscape of today’s literary criticism. Pair with: an essay about the greatness (and great influence) of Wood on a fellow novelist.
Who better to review a new sci-fi book than Ursula Le Guin? The Guardian editors couldn’t think of a better candidate either. She reviewed the new story collection Three Moments of an Explosion by the English writer China Miéville. Sample quote: “Pastiche, when present, is so skilful that it can go unnoticed.” You could also read our own Bill Morris on discovering Miéville’s work.
Our own Emily St. John Mandel gives a glimpse of her life on the road. “I’d been on tour for so long that I had to take a picture of my hotel room door every time I checked into a new place, because otherwise I’d forget my room number,” she writes. For more of her writing, check out her Millions essay on the place where writers work.
“Some psychiatrists say that music has therapeutic powers and can even restore fluidity and mental structure for a moment in some patients – music is the opposite of chaos. It may be that heavy metal, the music his parents blamed in part for this entire catastrophe, is the only thing that gives order to my cousin’s worn-out brain. No one knows, except him.” On trying to seek refuge from schizophrenia in heavy metal.
“Make no mistake: if you run a prize, a “best of” list, a residency, with age guidelines you can’t fully justify then, however otherwise diverse your awardees, you and your organisation are consolidating racism, sexism, class and gender discrimination.” Joanna Walsh for The Guardian arguing that, by focusing on youth, literary awards and honors tend to reward “those most likely to have money, security, contacts, confidence.” See also our Post-40 Bloomers series, including interviews most recently with Lidia Yuknavitch and Cole Lavalais.