“She could be a diva, says this source, ‘but in a way I fucking admire it. The world would be a sorrier place without divas.’” For New York magazine, Boris Kachka on the drama behind Michiko Kakutani‘s departure from The New York Times and what her absence means for the world of books. Consider also: our own Matt Seidel‘s rogue’s gallery of prominent critics.
“Many of the most powerful characters in our best-loved stories are orphaned, adopted, fostered, or found. At the same time, many of the most powerless citizens in our society are orphaned, adopted, or fostered children, and the marginalized adults that so many become. Why have so few of us even noticed this centuries-old disparity?” On literature’s most celebrated protagonists, from Oliver Twist to Anne of Green Gables.
Thanks to her new book, Lydia Davis is getting a lot of well-deserved attention, including an interview with Salon this week. In conversation with Brendan Matthews, she reflects on her “letters of complaint,” her habit of juggling multiple projects and the effects of translating Proust on writing emails.
“I am so grateful for this tool in my writer’s toolkit. It has liberated both me and my texts from an overbearing approach to ‘getting it right.’” Cara Benson for the Amazon Author Insights blog (full disclosure: Amazon helps us pay the bills over here!) on the benefits of writing and revising by hand. And she’s not the only one who likes to go manual.
You’ve probably taken one of those quizzes that lets you find out the nature of your spirit animal. If so, you’ll enjoy this novel take on the form, which lets you see which animal from a famous poem you are. (For the record, this writer got Marianne Moore’s immortal fish.)