“She could be a diva, says this source, ‘but in a way I fucking admire it. The world would be a sorrier place without divas.’” For New York magazine, Boris Kachka on the drama behind Michiko Kakutani‘s departure from The New York Times and what her absence means for the world of books. Consider also: our own Matt Seidel‘s rogue’s gallery of prominent critics.
Elena Ferrante’s introduction to the Folio edition of Sense and Sensibility is available at The Guardian. She describes the experience of reading Jane Austen as a girl. “At the time, I was enthralled by the great male adventure novels, with their stories that ranged all over the world, and I wanted to write such books myself: I couldn’t resign myself to the idea that women’s novels were domestic tales of love and marriage. I was past 20 when I returned to Austen. And from that moment not only did I love everything she had written but I was passionate about her anonymity.”
There are many possible answers to the question “where do you write?”, but one of the strangest, and most unexpected, has to be “I don’t know.” At The Rumpus, Brendan Constantine admits that he doesn’t write in any one place, and that his memory for where he’s written before is “completely unreliable.” We surveyed our own staff a couple years ago to see how they answered the question.
Get Your War On creator and How to Sharpen Pencils author David Rees was recently interviewed about his new show on the National Geographic channel. The premise behind the new venture is simple: “anything in the world that seems like there’s nothing to learn about, that’s what we want to learn about.”
For better or worse, the publication date of Umberto Eco's final book has been bumped up -- originally set for a summertime release, Pepe Satàn Aleppe: Chronicles of a Liquid Society is now due out in Italian this weekend. Check out this Eco essay on how to travel with a salmon.
“They would have closed, if the community hadn’t stepped forward.” The Guardian reports on the rapidly growing number of British libraries being run by volunteers, a trend driven by austerity cuts (which Corinne Purtill wrote about in these very pages just a few weeks ago).