“On the way home, the girl did not notice the color of the sky or the shape of the night, as she was too busy questioning why there were no secrets anymore.” As part of its Recommended Reading series, Electric Literature offers a special seven-part serial by Joe Meno. “Star Witness” tells the story of a young woman in a small southern town who spends the night searching for a missing local girl, and we can’t wait to read the next six installments. Pair with our own Edan Lepucki‘s profile of Meno from a few years back: “[he] seems more than willing to try new things in his work, to stretch his expectations of what he can do as a writer, and what a book can be.”
“Jealousy baffles me. It’s so mysterious and it’s so pervasive. … And yet I’ve never read a study that can parse to me its loneliness, or its longevity, or its grim thrill. For that, we have to go to fiction because the novel is the lab that has studied jealousy in every possible configuration. In fact, I don’t know that it’s an exaggeration to say that if we didn’t have jealousy, we wouldn’t even have literature.” New York Times Book Review editor Parul Sehgal takes listeners to church in her TED Talk, “Ode to Envy.”
A pair of debuts are making waves this week. Amy Waldman’s The Submission ponders an alternate present in which a Muslim man is the anonymous winner of the search for a design to build the 9/11 memorial at Ground Zero. Ernest Kline’s Player One is a “genre-busting,” pop culture-infused take on the virtual reality future that awaits us.
“These poets foreground elaborate and mythically transgressive evocations of eros in which stylistic excesses counter the violent excesses of homophobia and racial marginalization. The queer Baroque is, fundamentally, a poetry of radical ambivalence.” On Prelude to Bruise by Saeed Jones.
“Welty and Millar struck up an epistolary friendship that endured until his death in 1983, exchanging some 345 letters. Even after the onset of Alzheimer’s disease left Millar unable to reply, Welty wrote him.” On the enduring friendship and almost-romance of Eudora Welty and Ross MacDonald from The Paris Review.