“At first blush, bringing an eight-year-old to one of William Shakespeare’s quirkier plays in an effort to help her see herself, an Asian American girl, in popular culture did seem a rather odd decision.” Nicole Chung for Hazlitt on The Winter’s Tale, representation, and parenting in the age of Trump. And wouldn’t you know it, we have a piece specifically about that very play – “three/fifths wintry tragedy, two/fifths vernal comedy, and wholly a masterwork” – right here.
There was a lot going on this September. Luckily, the good folks over at The Literary Hub have provided us with this helpful list of five of the best new books September had to offer. A personal favorite includes Emily Donoghue's The Wonder, in which the protagonist appears to be subsisting on nothing but water.
Can't get enough of Orange is the New Black? Neither could The Missouri Review. Their new blog series, Literature on Lockdown, shares narratives from those who teach or write in prisons. This week's post comes from Ace Boggess, a poet who spent five years in a West Virginia prison. "One thing about being a writer in prison is that you have not lost everything. You still have that driving need to speak whatever truth you know in whatever way you can. No one can take that away from you, not even the State."
At Open Letters, Rohan Maitzen writes about her awakening to the chasm between an academic appreciation for books and "a more personal, affective, and engaged vision of criticism. It has been surprising and exciting to me to realize how blinkered I was about non-academic book culture, and chastening to realize how little use my own specialized reading has been as preparation to join in."