“Fool me once, shame on you. Fool me – you can’t get fooled again.” Following President Trump’s misstatement of a line from The Great Gatsby, The Guardian has a quiz of literary misquotations for your mid-week amusement.
A lot of women feel a connection to Cheryl Strayed, but one reader’s connection was personal. Strayed’s lost half-sister found her when she just happened to check out Wild because she liked travel narratives. “She didn’t know anything about me except when she read the description in my book of my early life, my mother and my father, she knew that father was hers, too. I don’t name my father in the book but she recognized him,” Strayed told NPR.
‘The 4½-foot tall poststructuralist philosopher I live with demonstrates a radical mode of viewership daily. Because of her, and with her, I am able—by moments—to move out of my own natural larval state and experience movies not just as deliverers of entertainment, conveyors of meaning, or objects of aesthetic contemplation, but as pure fields of emotional and sensory intensity, almost like rooms to which one can return.” Dana Stevens on watching movies with, and like, a child.
The New York Public Library has bought psychedelic guru Timothy Leary’s papers. The 335 boxes contain journals, videotapes, photographs and thousands of letters from avid trippers, including Allen Ginsberg, Aldous Huxley, William S. Burroughs, Jack Kerouac, Ken Kesey and, yes, Cary Grant.
“His books used to be ink on paper; now we have to squint through the cloud of the Ellroy Phenomenon.” And the James Ellroy Phenomenon looks like it will only continue: the author has announced plans for a second L.A. Quartet, the first of which, Perfidia, comes out next week.
Director Ross Ching was so inspired by photographer Matt Logue’s “Empty LA” project, he decided to expand the idea. What’s resulted is the ongoing Empty America series, whose first two installments depict Seattle and San Francisco without any humans present. Coming up: Washington D.C. and New York City.
“Why can’t we keep our literary heroes where they belong, at the top of the bookshelf next to all the others? And why must we ache for their approval, their admiration, their love?” Alex Gilvarry posts about writers who dare to approach their literary heroes for the Paris Review Daily.