Out this week: The Dark Dark by Samantha Hunt; The Epiphany Machine by David Burr Gerrard; Like A Fading Shadow by Antonio Muñoz Molina; Beautiful Animals by Lawrence Osborne; The Dog’s Last Walk by Howard Jacobson; and Less by Andrew Sean Greer. For more on these and other new titles, go read our just-published book preview.
In the Winter 2013 issue of The Paris Review, Kevin Prufer published a poem, “How He Loved Them,” that tackled the aftermath of a car bomb explosion outside of a courthouse. On the magazine’s blog, Robyn Creswell interviews Prufer, who laments that “somehow, when we enter the territory of politics, we expect our poems to shill for votes, to argue strongly for particular beliefs.” (He also has a new book out.)
“Imaginary Oklahoma” writes Oklahoman writer James McGirk, “is an anthology of forty-six writers’ attempts to envision Oklahoma without ever having visited America’s forty-sixth state.” You can get a taste for the pieces over at The Paris Review, or you can check out the book trailer and attempt to envision The Paris Review‘s write-up without actually reading it.
Has Joan Didion become “the Ultimate Literary Celebrity“? In an article for the New Republic Laura Marsh says “yes,” and then explains how that happened. Marsh’s efforts pair well with Franklin Strong‘s recent Millions essay on “The Manliness of Joan Didion,” Joan Didion being a literary figure who easily adapts to any description.
We fully expect all Christmas-observant Millions readers to have gifted (and received) at least one book this week. The Toast expects the same of their readers, and have provided a very handy key to choosing and/or deciphering passive-agressive literary presents.