Out this week: The Unwomanly Face of War by Svetlana Alexievich; Madame Zero by Sarah Hall; Fierce Kingdom by Gin Phillips; Gather the Daughters by Jennie Melamed; and Careers for Women by Joanna Scott. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: Alexievich; Hall; Phillips; Melamed; Scott
War and Sociology
What can we learn about Leo Tolstoy by reading the German sociologist Max Weber? Let Jeremy Klemin from 3:AM Magazine explain. While we’re on Tolstoy, here’s a complementary piece that asks the age old question–who’s better: Tolstoy or Dostoyevsky?
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Batuman in Conversation
For Angelenos: Elif Batuman will be reading from The Possessed tonight at 7:00 at the LAPL Central Library. A conversation with LA Times Books Editor David Ulin follows the reading. More information and reservations here (tickets are free).
All She Can Ever Know
"I am writing a book my father will never see. Not in its entirety, not out in the world." For Longreads, Nicole Chung writes about adoption, family, writing, and finishing her upcoming memoir, All You Can Ever Know, in the wake of her father's sudden death. Pair with: Julie Buntin's Year in Reading entry which feature's Chung's memoir.
The Pen Reveals
What does handwriting tell us about its author? The Atlantic investigates. Our own Kevin Hartnett explains why he writes by hand.
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Very Short Story Contest
Want a chance to win $200 and a shot at glory? Consider entering The Coffin Factory’s “Very Short Story Contest.” The deadline is August 15th.
Ten Bloodiest Bedtime Stories
For those of you who ask, like Jacob Lambert, whether picture books are leading our children astray, the Independent posts ten of the bloodiest bedtime stories.
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Flame Out
For whatever reason, pop music (at least in the Western world) displays an inordinate fascination with people who die at a young age. At The Atlantic, Leah Sottile takes a look at our collective fixation on the mantra “Live fast, die young.”
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The Limits of Good Taste
In his review of a collection of rejected New Yorker covers titled Blown Covers: New Yorker Covers You Were Never Meant To See, Jeet Heer details the magazine's history of straddling the divide between bourgeoisie complacency and bohemian angst.
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