“In a world where reality has become stranger than fiction, actual books are no longer selling.” At The New Republic, Morgan Jerkins talks with agents, authors, booksellers, editors, and publicists about whether the Trump presidency is bad for the book business. And on that note, let’s revisit our own Bill Morris on book releases: “There are few iron facts in the crapshoot of the literary life, but here’s one: In book publishing — no less than in music, war, and sex — timing is everything.”
“In the imposed rhythm of the day, there wasn’t the time to step back and appraise my ideas, to delete paragraphs, to question my identity. Whether or not I was a writer was temporarily immaterial, because I was writing.” Adam Dalva contemplates life at an artists’ residency. For more of his writing, check out his essay on Donna Tartt’s The Goldfinch for The Millions.
On his podcast, David Naimon spoke with poet Morgan Parker about her new collection, There Are More Beautiful Things Than Beyoncé. It’s a book “at the intersections of mythology and sorrow, of vulnerability and posturing, of desire and disgust, of tragedy and excellence,” Naimon says. (Bonus: Parker’s book was recently featured in Nick Ripatrazone’s list of five poetry collections you should buy.)
The office novel, by nature, is a tricky construct, if only because your average white-collar job doesn’t offer much in the way of fiction-worthy moments. That said, recent books like Then We Came to the End by Joshua Ferris demonstrate how fruitful it can be to wring drama out of the rat race. In the latest issue of Dissent, Cubed author Nikil Saval delves into the contradictions of office fiction. FYI, Saval wrote a Year in Reading entry for us.
The final PEN Literary Award Longlists are posted today! Check out all of the lists here. Longlisters include Angela Flournoy (whom we interviewed, and who has written a Year in Reading for us), Marilynne Robinson (who is known for her singular vision), Renata Adler (about whom we have made six possibly true observations), and David L. Ulin (whose Year in Reading is here).