“In a world where reality has become stranger than fiction, actual books are no longer selling.” At The New Republic, Morgan Jerkins talks with agents, authors, booksellers, editors, and publicists about whether the Trump presidency is bad for the book business. And on that note, let’s revisit our own Bill Morris on book releases: “There are few iron facts in the crapshoot of the literary life, but here’s one: In book publishing — no less than in music, war, and sex — timing is everything.”
“Each imaginary book is a demonstration of fiction’s magic, as an author deposits into a fictional world yet another fictional world, like one universe bubbling out of another.” On Borges and other authors’ fictional texts and his library of imaginary books. Jeff Peer introduces us to Borges as a professor in his review of Professor Borges: A Course on English Literature.
The CIA might just be America’s most literary government agency, no? Not only did they (maybe) help fund the early days of The Paris Review but, according to Eric Bennett, the group also funded the nation’s most prestigious and storied creative writing program. Over on Iowa Public Radio, you can hear some details.
Ebony has a brief list of “Six Caribbean Writers to Discover This Summer,” and it’s a nice complement to Fortnightly Review’s recent double-feature on Dominican poets Homero Pumarol and Frank Báez. I also recommend checking out Generación Año Cero, an online collection of sixteen short stories from a “movement of [Cuban] writers who began publishing in 2000.”
This week the Band of Merry Men/Women that is of Football Book Club is reading Carmen Giménez Smith’s poetry collection Milk and Filth — and posting about Elizabeth Kolbert’s The Sixth Extinction. Also: Check in later this week for possible guest posts by Ben Carson and Donald Trump. Also: There will be no guest posts by Ben Carson and Donald Trump.